遷 profound change, shift, transfer, phase transition; to swap, to substitute for, change focus, to infect, to be contagious, to permeate with smell or color, to become infected, returning from a trip to the capital city 辷,人,达,覀,己,㔾,辶,辶,䙴,

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MingLiU:

Mincho:

Gothic:

遷

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On-yomi [ Toggle rōmaji ]

セン
SE　N

Kun-yomi

うつ(る　･　うつ(す　･　みやこがえ
u　tsu　ru　･　u　tsu　su　･　mi　ya　ko　ga　e

Glyph elements [ Toggle Font ]

辷

×,すべ smooth, slippery; slide or skate; to fail; sliding with feet

　STEPS, FOOT MOTION and LATERAL MOTION
…or: ROD with emphasis on TWO NO-LONGER-INTEGRATED FEET and TAUT
　

人

ジン,ニン,ひと,～り,～と person, a man, male adult

　HEAD or ERECT with TAUT, STRETCHED
　

达

タツ,タチ,テイ,タイ,なめ,すべ,たっす to attain the goal, to reach the climax, to amount to…, actualize, really doing it, slippery and smooth, intelligent, licking, slick, to achieve a dynamic change, well-known and respected, eminent, to communicate

　HEAD on ROD of MALE PERSON within SMOOTH, SLIPPERY SLIDING
…or: STEPS, FOOT MOTION with TWO-HANDED, BOTH HANDS, LARGE, GREAT, GRAND, BIG, MANY
…or: MALE ADULT PERSON and ROD with emphasis on NO-LONGER-INTEGRATED FEET and TAUT
…or: DRIPPING TAUT NO-LONGER-INTEGRATED FOOT and ROD of MALE ADULT PERSON
…or: MOTIONS of a TAUT HAND
　

覀

× necessary; dripping from orifices; drops falling

　inverted ORGY, PILING ON IN LAYERS within CAVITY
…or: RODS double DOWN from/in ORIFICE(S)
…or: ARRAY of RODS in NETTING
　

己

コ,キ,おのれ,つちのと,な [referring to males] oneself, the self, I, selfish; derogatory epithet referring to the decrepit condition of a penis, interjection expressing anger or chagrin, you

　END-TO-END, FOLDED OVER IN HALF with VENOMOUS APPENDAGE
　

㔾

× HTML entity: 㔾 joining together with a tight seal; something rolled scrolled coiled; jointed

　NO-LONGER-INTEGRATED FOOT, HIGH TENSION GASPING with BENT PENIS
…or: BENT OVER, KINKY with PENIS
　

辶

チャク,しんにょう HTML entity: 辶 foot motions, motion of feet, something in motion, taking steps

　DRIPPING, DRIP BY DRIP, ONE DROP AFTER ANOTHER, COOLING PROCESS, CONGEALING, CHANGE BETWEEN TWO PHYSICAL STATES, CEASE MOTION with TAUT NO-LONGER-INTEGRATED FOOT OF CHINESE FEMALE
…or: DOUBLED EMPHASIZED with TENSION, STRESS WITH SPRING-LIKE ACTION, FOOT and STRETCHED TAUT, THE OTHER SIDE TOO
　

辶

チャク,しんにょう HTML entity: 辶 foot dragging, dragging feet across a surface, foot motions, motion of feet, something in motion, taking steps

　marker on two LAME FEET, TENSION and TAUT, LEASHED
　

䙴

× fly like an eagle, soar as a bird does in heaven, profound change, shift, transfer, phase transition; to swap, to substitute for, to infect, to be contagious, to permeate with smell or color

　NECESSARY, DRIPPING FROM ORIFICES, DROPS FALLING with TWO-HANDED, BOTH HANDS SPREAD, LARGE, GREAT, GRAND, BIG, MANY and JOINING TOGETHER WITH A TIGHT SEAL, SOMETHING ROLLED SCROLLED COILED, BENT PENIS in NO-LONGER-INTEGRATED FOOT
…or: BROKEN VESSELS, SPILLED FALLING DROPS OF STICKY BROWN FLUID, ANAL RAPE, BROKEN WINE JAR with BIG, MANY BENT PENIS in NO-LONGER-INTEGRATED FOOT
　

Meanings of elements

ATTAIN, REACH, TO AMOUNT TO…, ACTUALIZE, TO COMMUNICATE, SLIPPERY AND SMOOTH, INTELLIGENT and NECESSARY with DECREPIT CONDITION, INTERJECTION EXPRESSING ANGER OR CHAGRIN, YOU
…or: JOINING TOGETHER WITH A TIGHT SEAL, SOMETHING ROLLED SCROLLED COILED with STEPS, MOTION with FLY LIKE AN EAGLE, SOAR AS A BIRD DOES IN HEAVEN, PERMEATE THE MIND
…or: INTELLIGENT, NECESSARY, DECREPIT CONDITION
…or: ACHIEVE A DYNAMIC CHANGE with DRIPPING ORIFICE and TENSE GASPING with PENIS

[Elements vary by font] top-right element of「dripping orifice」center-right is「two hands, many, big」and bottom is「bound feet, high tension for a long time」with「penis, appendage for spewing」(㔾) but the old element in some fonts is「end-to-end, decrepit condition of a penis」(己). Dictionaries say that the whole right element means「becoming divine, soaring in heaven.」Add「motion along a road or path, the way to go」and the glyph means「walking to the bordello for some heavenly fun」and then TO BECOME INFECTED, to BE PERMEATED with a smell or color, PROFOUND SHIFT, PHASE CHANGE, TRANSITION. Perhaps marking the initiation of a new concubine and her official change after completing her apprenticeship from a prepubescent young girl into a prepubescent young chick-bunny fellatrix, or, marking the point of no return of an infection that leads to certain death.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: to move; to shift; to change (a position or location etc); to promote
Japanese: to change, to swap, to substitute, to transfer, to change the object of one's interest or focus, to spend or take time, to infect, to permeate something with the smell or colour of something, to move on to the next or different stage of, to change the target of interest or concern, to elapse, to be permeated by a colour or scent, to be infected, to be contagious, to spread
Unihan extended: move, shift, change; transfer
EDRDG: transition; move; change

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.