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On-yomi   [ Toggle rōmaji ]

BU
Kun-yomi
しげ(る ・ ひさし
shi ge ru ・ hi sa shi

Glyph elements  [ Toggle Font ]

Meanings of elements
PALMING CONTROL OF ERECTION HEAD, emphasis on HAND with NOTHING REMAINING, HAVE NO MORE, RUN OUT OF MANY EMISSIONS, TO HAVE NOT, TO HAVE NONE
…or: CAVERN, WIDESPREAD BEHAVIOR, CAVE OF WONDER, PALMING ERECTIONS and LACKING, CEASE TO HAVE, NOTHING REMAINING, HAVE NO MORE, RUN OUT OF (SOMETHING), TO HAVE NOT, TO HAVE NONE
…or: CAVE and PROSTRATE with MANY PENISES and with MANY EMISSIONS WIDELY SPREAD
「Palming oneself with nothing remaining, having no more in store」suggests WALKING ALONG A CORRIDOR on one's way out via the exit, having「run out of stuff in the cave o' wonders.」
 「Cavern for full depletion, having no more emissions to emit」is a direct reference to the caves o' wonder operated by religious shamans, often in the form of pagodas, large temples, and shrines. These temples of love were luxurious entertainment dens, opulent and well-decorated befitting the royal and lordly clientele, as are the finer hotel rooms and brothels of today.
 In pagodas, large temples and shrines, walkways on each level surrounded rooms externally using a veranda under roof eaves, resulting in hallways within the structure to be「missing」as unneeded wasted space. The outer walkways could also be used as porches, and the eaves provided shade within from summer sunshine and heat. In winter, there was no need to provide heat for inner hallways that did not remain occupied.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: small rooms facing or to the side of the main hall or veranda; variant of 蕪|芜
Unihan extended: corridor, hallway; luxuriant
EDRDG: walking under the eaves

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.


Chinese usage: 4 entries


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