劇 drama, stage play, intensity, fierce, fervent, vehement, incessant, relentless 虍,一,刎,豕,匕,豦,刂,

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MingLiU:

Mincho:

Gothic:

劇

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On-yomi [ Toggle rōmaji ]

ゲキ
GE　KI

Glyph elements [ Toggle Font ]

虍

コ,× tigress, shaman brothel owner, cave of wonders proprietress, striped, mottled

　HAIR-RAISING STRAIGHT UP, ROLLED, and SLASHED IN HALF
…or: DIVINE PREPUBESCENT FEMALES, RAISED ROD SKIN ROLLED BACK ERECTION with SERVICE PROVIDER
　

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

刎

フン,は,くびは to behead, slash a throat, slit the neck, counter for decapitated heads and/or helmets, to cause splatter, scraping meat, a head bouncing and rolling along the ground, making a splash, to make shorter

　GUSHING OUT AND BUBBLY, OFTEN WITH CHUNKS OF SUSPENDED MATERIAL and BLADE, SWORD, SEVER
　

豕

シ,× obese concubine, a fat person, piggish; swine

　HORIZONTAL, GUSHING CHUNKS or BEASTLY and PERSON SITTING MOST OF THE TIME
　

匕

ヒ,さじ must remain sitting most of the time, device for scooping fluids, used for piercing or stabbing into

　REPEATED, BOBBING HEAD with PENIS
…or: PREPUBESCENT GIRL merged with PENIS
…or: ARRAYED for PENIS
　

豦

キョ,ゴ,やめない fight, wild swine, not quitting, not giving up in a fight

　TIGER and SWINE
…or: SHAMAN and OBESE SERVICE PROVIDER
　

刂

トウ,× blade, sword, sever, cut, ream a hole, a reamer, shear, mow, lines of motion, skinning a head and neck, slicing skin

　VERTICAL MOTION with STREAM
…or: STREAMING ROD in RECIPROCATING MOTIONS
…or: SHAFT with HOOK
　

Meanings of elements

TIGRESS, SHAMAN BROTHEL OWNER, CAVE OF WONDERS PROPRIETRESS with ROD and BEHEADED, SLASH THROAT, COUNTER FOR DECAPITATED HEADS
…or: TIGRESS, SHAMAN BROTHEL OWNER with OBESE CONCUBINE, FAT PERSON, PIGGISH, SWINE and REAM A HOLE, LINES OF MOTION
…or: SHAMAN BROTHEL OWNER and SEXUAL SERVICES PROVIDER FIGHT, NOT QUITTING, NOT GIVING UP with BLADE, SWORD, SEVER, CUT
…or: TIGER-PIG BATTLE with REAMING

「Tiger」is the euphemism of the shaman owner/master, and「swine」is the euphemism of an overweight person with no-longer-integrated feet, likely the shaman's property, so the shaman reaming a fattened asset might also lead to some rather INTENSE DRAMA, a SHOW, CHARACTERS REPRESENTING OPPOSITE ROLES, that was action watched by an audience of clientele and the other service providers.
　Or, refers literally to the DRAMATIC manner that a hungry「tiger」attacks a「pig」and the manner in which the pig attempts to defend itself, the same INTENSITY as a sword slash perhaps, or,「sword cuts」represent the slashing claws of the tiger and slashing tusks of the boar or warthog, in a DRAMATIC duel to the death, the pig's being the most likely. Applied to the plot of a DRAMA as the main meaning, since the outcome of the contest between the tiger and pig is seldom in any doubt, the same as the plot of a DRAMATIC STAGE PLAY. Most likely though, humans weren't often around to witness wild tigers literally reaming, severing wild warthogs.
　Note to the audience: dramas and stage plays are often rehearsed, and played by actors, for the purposes of entertainment and taking cash receipts from the patrons…it is fiction, a SHOW in exchange for your money, that continues nightly until the run is over.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: drama; play; show; severe
Japanese: drama, play, powerful drug, violent, furious, tempestuous, extreme, intense, fierce, fervent, vehement, incessant, relentless, precipitous, steep
Unihan extended: theatrical plays, opera, drama
EDRDG: drama; play

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.