憬 awaken, aspire to, yearning for, longing for, aroused by, looking forward to, attracted by 惊,曰,京,忄,景,

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MingLiU:

Mincho:

Gothic:

憬

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On-yomi [ Toggle rōmaji ]

ケイ
KE　I

Kun-yomi

あこが(れる
a　ko　ga　re　ru

Glyph elements [ Toggle Font ]

惊

リョウ,かな alarm, frighten, surprise, startle

　DEEP FEELING, DIFFICULT TO FORGET with CAPITAL CITY, METROPOLIS, SOMETHING BIG
　

曰

エツ,いわ,のたま,ここに tonguing something, tongue in a mouth, speak, say; having a reason to do something, pretending, a pretext, excuse given to hide the true reason for something, rod within orifice or mouth

　ROD in ORIFICE, MOUTH
…or: ORIFICE, MOUTH and ARRAYED
…or: RAISED ROD in CAVITY CONTAINMENT
…or: DIVINE, DIVA with IN-OUT, END-TO-END
　

京

キョウ,ケイ,キン,みやこ human mound, unnatural mound, humans piled upon other humans, something really big, 10,000,000,000,000,000; capital city, metropolis

　PALMING, CONTROL of ORIFICE of SMALL YOUTH, STREAMING EMISSIONS
　

忄

シン,こころ profound heartfelt deep unforgettable feeling, rod with emissions, small emission stream

　EMITTED STREAM
…or: ROD EMISSIONS
　

景

ケイ,× bright, lively scene, view, scenery, circumstance, conditions, oral pleasure

　JUXTAPOSED ORIFICES, ROWDY BEHAVIOR, FEMALE-FEMALE RELATIONS with ROD in ORIFICE and with PALM CONTROL, COVERED with SMALL STREAM OF EMISSIONS, YOUNG MINOR, SMALL HUMAN MOUND OF MONS VENUS, MONS PUBIS
…or: SUN, FLASHING BRILLIANT or with TONGUING SOMETHING IN A MOUTH, HAVING A REASON TO DO SOMETHING with HUMAN MOUND, UNNATURAL MOUND, HUMANS PILED UPON OTHER HUMANS, SOMETHING REALLY BIG, 10,000,000,000,000,000, CAPITAL CITY, METROPOLIS
…or: SUN over CAPITAL
…or: TONGUING MOUTHS of METROPOLIS
　

Meanings of elements

SURPRISE, STARTLE with TONGUING MOUTH, HAVING A REASON TO DO SOMETHING
…or: ALARM, FRIGHTEN, SURPRISE, STARTLE with PRETENDING, A PRETEXT, EXCUSE GIVEN TO HIDE THE TRUE REASON FOR SOMETHING
…or: UNFORGETTABLE SMALL EMISSION STREAM, ROD EMISSIONS with TONGUING MOUTH in BIG CITY
…or: DEEP FEELING with BRIGHT, LIVELY SCENE, VIEW, SCENERY

「Deep unforgettable feeling of tonguing and palming head orifice of small youth and emitting streams.」In Japanese, the meaning seems to be something similar to a YEARNING or LONGING, perhaps the「deep feeling of wanting to be in a great scene」of some kind and for some reason, or aspiring for a great scene to occur. In Chinese, the meaning seems to be more like the「deep feeling caused by a great scene」to depict a mental enlightenment or awakening, dawning of some magnificent idea or ideal that has been hoped for, such as going to the big city, perhaps leaving home to live there.
　Nonetheless, with very little imagination while looking at these elements individually and then as a group, the given meanings of AWAKEN TO, ASPIRE TO, LONGING FOR, AROUSED BY, YEARNING, LOOKING FORWARD TO, ATTRACTED BY can easily be ascribed to females pleasuring themselves and one another in multiple ways to defeat the boredom of the harem.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: awaken
Japanese: yearning, longing, aspiration, to long for, to yearn after, to admire, to be attracted by
Unihan extended: rouse, awaken; become conscious
EDRDG: yearn for; aspire to; admire

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.