嬁 beautiful sight to behold, initial meeting, greeting, lord and harem members welcoming a new concubine, naked female in lordosis position, comely, able to copulate with stunning qualities that delight the eye with gorges (i.e., gorgeous) for ravishing (to rape wildly) 如,㛒,癶,一,䒑,女,登,

注意：このページには、一部の読者にとって不快または不適切な内容が含まれている可能性があります。
Note: This page may contain content that is offensive or inappropriate for some readers.

MingLiU:

Mincho:

Gothic:

嬁

Login Welcome!　Introduction
Glyphs missing from your font set may appear strange, or not at all. We recommend enabling East Asian language support.

On-yomi [ Toggle rōmaji ]

トウ
TO　U

Kun-yomi

うつく(しい
u　tsu　ku　shi　i

Glyph elements [ Toggle Font ]

如

ジョ,ニョ,ごと as, alike, similar, equal, equated; compliance, as if, such as it is

　FEMALE ORIFICE
　

㛒

× cannot speak, speechless, declining to speak

癶

ハツ,× feet in some sort of stance, not walking but using legs, unstable; foot use while inverted

　NO-LONGER-INTEGRATED FOOT (sole arch marked) SPURTING
…or: CLEVER STANCE
　

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

䒑

× HTML entity: 䒑 spurting shaft stance stuff flying up

　EMIT an ARRAY
…or: EMISSIONS from ROD SEGMENT
　

女

ジョ,ニョ,ニョウ,おんな,め female

　ROD and LOOSENED with ERECTION
…or: HORIZONTAL with NO-LONGER-INTEGRATED LOOSE FOOT and NO-LONGER-INTEGRATED FOOT BENT FOR WRAPPING
…or: LOOSENED with GASPING TENSION
　

登

トウ,ドウ,ショウ,チョウ,のぼ,あ promote, move upwards, to mount or to be mounted, to climb aboard, to hop on, ascend, rising, climb; attend to one's duty, entrance, an entry on an official register or document, to record and publish an event; to apply pressure using a foot; to be gathered and taken to the threshing ground for separation of the outer protective skin from the harvest

　FOOT STANCE over ROD SPURTING UPWARD with ORIFICE
…or: FEET IN SOME SORT OF STANCE, NOT WALKING BUT USING LEGS, FOOT USE WHILE INVERTED with CLITORIS, CLITORIS-SHAPED, MINIATURE, FEMALE GENITALIA, THE BEAN, SACRIFICIAL VESSEL, TROPHY, PRIZE
　

Meanings of elements

COMPLIANT FEMALE ORIFICE with FEET ARRAYED, ROD in SPURTING STANCE
…or: CANNOT SPEAK, SPEECHLESS with FEET IN SOME SORT OF STANCE, NOT WALKING BUT USING LEGS, UNSTABLE, FOOT USE WHILE INVERTED
…or: FEMALE and PROMOTED, MOVE UPWARDS, TO MOUNT OR TO BE MOUNTED, TO CLIMB ABOARD, TO HOP ON, ASCEND, RISING, CLIMB, ATTEND TO ONE'S DUTY, ENTRY ON AN OFFICIAL REGISTER OR DOCUMENT, TO RECORD AND PUBLISH AN EVENT, APPLY PRESSURE USING A FOOT, TO BE GATHERED AND TAKEN TO THE THRESHING GROUND FOR SEPARATION OF THE OUTER PROTECTIVE SKIN FROM THE HARVEST

Formerly「female with clitoris meat pulled, lordosis position」(豋) during an inspection of virginity, but here as「female meat spurts, with clitoris」that seems much more enjoyable all around.
GORGEOUS of course relates to items with gorges (narrow and deep valleys), or, to gorging and stuffing oneself, gluttonously eating, greedily devouring: take you pick as to which meaning applies, or consider that both do.

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.