橘 mandarin orange, citrus; cuckoo 杼,ノ,冏,木,矞,

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MingLiU:

Mincho:

Gothic:

橘

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On-yomi [ Toggle rōmaji ]

キツ
KI　TSU

Kun-yomi

たちばな
ta　chi　ba　na

Glyph elements [ Toggle Font ]

杼

チョ,ショ,ひ,どんぐり shuttle, in-out-in-out shuttling motions repeated continuously, narrow and tapered, long-headed, septillion, scrub oak, re-erecting, standing again and again

　WOOD, WOODY STALK, STEM, WOODEN, A WOODY and TO GIVE TO ANOTHER, I MYSELF, PRIOR, OCCUR IN ADVANCE, PLENTY, SURPLUS, TO MANIFEST, TO EXPRESS AND INDUCE A DESIRED EFFECT, TO EXPRESS ONESELF FULLY AND UNRESERVEDLY
…or: WOODY with LORDOSIS POSITION
　

ノ

× HTML entity: ノ head, sliding down, declining, dammed flow

　HEAD SLIDING DOWN
　

冏

ケイ,キョウ,ソウ,あきらか velvetleaf; stud services, breeding; flashing brilliance, clearly obvious, self-evident, easy to understand, intuitively plain and simple, no doubt, unquestionable

　COPULATION within SPREAD LEGS ORIFICE
　

木

ボク,モク,き,こ～ wood, woody stalk, stem, wooden, a woody, tree, implanted, simple, simpleton, coffin, encased death, unfeeling, numb

　TWISTING a TAUT HEAD
…or: SCREWING EMISSIONS
…or: HAND on TAUT ROD
　

矞

イツ,イチ,シュツ,ジュチ,あなをあ to open a hole, bore a hole in skin, long penis, favorable conditions, charming, presenting favorable circumstances, signs of a favorable outcome, propitious

　PIKE, SPEAR, LANCE, CARNIVAL FLOAT DISPLAY OF RAISED MEAT, GRIPPING POSITION OF A TOOL OR WEAPON with STUD SERVICES, BREEDING, FLASHING BRILLIANCE, CLEARLY OBVIOUS, SELF-EVIDENT, EASY TO UNDERSTAND, INTUITIVELY PLAIN AND SIMPLE, NO DOUBT, UNQUESTIONABLE
…or: IN LORDOSIS POSITION with ROLLED ROD HEAD UP AND IN and STREAMING FLUID with VAGINAL COPULATION, ORIFICE in SPREAD LEGS
　

Meanings of elements

SHUTTLING IN-OUT-IN-OUT MOTIONS REPEATED CONTINUOUSLY, NARROW AND TAPERED, LONG-HEADED, SEPTILLION with HEAD SLIDING DOWN and STUD SERVICES, BREEDING, FLASHING BRILLIANCE, BRIGHT LIGHT
…or: WOODY and BORE A HOLE IN SKIN, LONG PENIS, FAVORABLE CONDITIONS, CHARMING

These elements may be depicting the most common way to begin peeling a mandarin orange, which is to insert one's thumb into the bottom skin (as if piercing the hymen), and then continuing to slide deeply into the hole between the orange segments, prying it open. Apparently, the Chinese imagined that the bottom puckered hole between orange segments also could be likened to vaginal walls and/or to the anal orifice, but with no written records of taste or texture comparisons remaining. Interestingly, sources say this glyph refers to cuckoo birds, with females of many species being notoriously polyandrous, attracted immediately to any「long penis」(i.e., a male as a 'penis' since most avian species lack a noticeable phallus) and pouncing with her cloaca without reserve (hence the English 'cuckold'):「woody lance head stud services…」The clan crest of the Tachibana in Japan resembles, to some folks, both an orange on a branch, and inside the orange, what appears to be a long penis and scrotum over a buttocks…(not characteristic of too many orange peels).

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: mandarin orange (Citrus reticulata); tangerine
Japanese: tachibana
Unihan extended: orange, tangerine
EDRDG: mandarin orange

Used within names (nanori)
きっ

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.