甍 roof ridge 艹,卝,罒,冖,瓦,

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MingLiU:

Mincho:

Gothic:

甍

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On-yomi [ Toggle rōmaji ]

ボウ　･　ミョウ
BO　U　･　MYO　U

Kun-yomi

いらか
i　ra　ka

Glyph elements [ Toggle Font ]

艹

カン,あげまき,あらがね,くさかんむり emerging shafts, stalks, stems, shoots

　PLANTS, VEGETATION, FLOWERS, EMERGING SHAFTS, BUDDY SYSTEM
…or: ERECTION and ROD within CAVITIES
…or: EMERGE with STALKS, STEMS
…or: TWENTY, MULTIPLE SCREWINGS, PENETRATING SHAFTS, ARRAY OF RODS
…or: HAIR-RAISING PREPUBESCENT YOUNG VIRGIN DIVA
…or: DIVINE, CRESTING HEAD CONDITIONS WHEN ONE'S ROD IS RAISED
…or: DEEP SHAFT
…or: multiple FILLED COMPLETELY PERFECTLY FULL SCREWINGS, ROTATIONS, TWISTINGS, TURNINGS, NEEDLES, TENS
　

卝

× hair-raising, prepubescent, young virgin girl, diva, divine, cresting head, conditions when one's rod is raised, deep shaft

　RAISED ON EACH SIDE OF A YOUNG GIRL'S HEAD
…or: RAISED HEAD on each side
…or: SHAFTS EMERGING, RODS RAISED on both sides
…or: DIVINE front and back
　

罒

モウ,ボウ,あみがしら,よこめ netting, weaving within spread legs, snare, claptrap

　THE GOODS as ARRAY OF ORIFICES
…or: SPREAD LEGS with WEAVING INSIDE
…or: SPREAD LEGS with SPURTING STANCE
　

冖

ベキ,× a covering, the cover, surround on all sides, covered, sheath, sheet

　emphasis on ROLLED
　

瓦

ガ,かわら,ぐらむ fired clay, earthenware, terra cotta; gram, small piece of dried and hardened clay slurry; girl, young female; jolt, measure of electric current, watt, feeling a charge

　ROD SEGMENT with emphasis inside RAISED LEG(S) and THRUSTING FORWARD, BIRD TAKING FLIGHT
…or: ARRAY OF ITEMS, LATERAL RECIPROCATING ROD MOTION, INDICATES EXTENT with CHEWED, MASTICATED, WELL-MIXED SMALL PIECES, MATTOCK, RAISED FEET WHILE SITTING with HORIZONTAL ROD STALK of CURLED PENIS with emphasis inside
　

Meanings of elements

CRESTED NET of SURROUNDING, COVERING TILES
…or: OBSCURED VIEW of TILES
…or: EMERGING SHAFTS with NETTING and SURROUNDED with JOLT, FIRED CLAY SLURRY, GIRL, YOUNG FEMALE, MEASURE OF ELECTRIC CURRENT, ROD SEGMENT with emphasis inside RAISED LEG(S) with THRUSTING FORWARD, BIRD TAKING FLIGHT

「Obscured view」with「tiles」depicting the「crested net of surrounding tiles」at the ROOF PEAK or uppermost ridge of a structure, an area that is「difficult to see, obscured from normal view.」Note that the crest roof tiles are tied with wire or rope to the interlocking tiles beneath, the lower tiles are not normally needed to be bound due to the interlocking design and simply the dead weight of the heavy tiles above them holding them down, but this is not true of the topmost tiles. Although in some earthquakes and typhoons these very heavy tile roofs sometimes collapse a home, it is not too often that individual tiles are blown away. Top portion of this glyph uses the same elements as「obscured view」and of「dream」indicating something「crested, raised」that is「netted on all sides」to something heavy beneath, in this case the top tiles to the lower tiles.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: rafters supporting tiles; ridge of a roof
Japanese: roof tile, tiled roof, objects crowded together
Unihan extended: rafters supporting roof tiles
EDRDG: roof tile; tiled roof

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.