瘳 convalescence, to recover, to heal 疹,羽,冫,廖,疒,翏,

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MingLiU:

Mincho:

Gothic:

瘳

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On-yomi [ Toggle rōmaji ]

チュウ　･　チュ　･　リョウ
CHU　U　･　CHU　･　RYO　U

Kun-yomi

い(える
i　e　ru

Glyph elements [ Toggle Font ]

疹

シン,チン,はしか skin rash or skin eruptions, high fever, measles; pox

　ILLNESS, DISEASE, SICK, PHYSICAL AILMENT, LYING DOWN and with BLACK GLOSSY BUSH HAIR
　

羽

ウ,は,わ,はね counter for birds, chicks, bunnies and coneys; plumes of stuff, concubine service provider in training; wings, feathers, two disintegrated feet with inner drippings

　COOLING PROCESS, CONGEAL STIFFEN, CHANGE BETWEEN TWO PHYSICAL STATES, DRIP BY DRIP, ONE DROP AFTER ANOTHER, FREEZE UP, CEASE MOTION with EXTREME TENSION, STRESS WITH PAIN AND GASPS, ROLLED TAUT AND TIGHT WITH SPRING-LIKE ACTION, NO-LONGER-INTEGRATED AND BOUND FOOT OF CHINESE FEMALE
…or: PRACTICE (doubled)
…or: WING (doubled)
…or: PLUMES (doubled)
…or: emphasis inside CLEVERNESS (doubled)
　

冫

ヒョウ,こおり drip by drip; cooling process, congeal, change between two physical states, to freeze up, cease motion

　variant of TWO
…or: emphasis marker DRIP with HEAD SLIDING
　

廖

リョウ,× isolated, deserted, empty, in isolation

　CAVERNOUS with SOUND OF THE WIND, WHOOSHING SOUND
　

疒

ダク,ニャク,ソウ,ジョウ,シツ,や illness, disease, sick, physical ailment, lying down

　BADLY BENT ERECTION with FLUIDS
…or: PALMING, CONTROL over DRIPPING with ERECTION
…or: CONGEALED in HAND and THIS SPOT RIGHT HERE
…or: emphasis on ROD with COOLED ERECTION
　

翏

リュウ,ル,リョウ,リク,× soar, move like the wind, sound of the wind, whooshing sound, queefing, fly like an eagle

　SERVICE PROVIDER'S TWO NO-LONGER-INTEGRATED FEET, PERSON with BLACK GLOSSY BUSH HAIR
　

Meanings of elements

HIGH FEVER with WINGS, FEATHERS, FANNING MOTIONS
…or: COOLING PROCESS, LOWER TEMPERATURE, DRIP BY DRIP, ONE DROP AFTER ANOTHER, CEASE MOTION, ICE with ISOLATED, DESERTED
…or: ILLNESS, DISEASE, SICK, PHYSICAL AILMENT, LYING DOWN with WIND MOVEMENT, SOUND OF WIND, WHOOSHING SOUND

「High fever, illness with lying down and resting in isolation, plenty of fluids taken little at a time, cooling with a fan」as CONVALESCENCE.「Illness but then flying like an eagle, whooshing and queefing sounds」suggests making a RECOVERY FROM DISEASE OR ILLNESS, or at least feeling as if recovered: if one can「squish and swoosh into no-longer-integrated feet on person's short hairs with palming control of erection cooling」again, then perhaps that was a 'good enough' healing in dynastic China.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: to convalesce; to recover; to heal
Japanese EDRDG: to be healed, to reform
Unihan extended: to be healed; to reform

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.