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On-yomi   [ Toggle rōmaji ]
キュウ ・ ク ・ シ
KYU U ・ KU ・ SHI
Kun-yomi
うるし
u ru shi

Glyph elements  [ Toggle Font ]

Meanings of elements
PERSON with STICKY HAIR, VARNISH, WOODY SAP, LACQUER, SMEARED INSIDE LONG HAIR
…or: ROD HEAD with A LONG TIME, DRIPS OF HIGHLY VISCOUS MATERIAL as ORNAMENTATION
…or: HAIRS ON SOME SORT OF STIFF STRONG WOOD NECK and with SUSPEND, IDLE, NOT WORKING, DORMANT, DON'T DO THAT!
The「long hairs」or「hairs on wood neck smeared with sticky fluids」describe a brush used to apply RED LACQUER, something that「should not be left to dry while resting idle for too long.」URUSHIOL LACQUER may cause a severe skin rash if contact is made while wet. Lower element is a「person with his woody」with both the person and the woody as「idle and not working properly」(bloody, sticky and infected?) so that the surrounding「stroked hairs」would become sticky, matted, and coated with the emissions…the red color of sticky blood due to whatever infections might be lurking within the discharge(s). Creating red lacquer masterpieces also requires long brush strokes from one side of the object to the other in order to leave no brush marks in the sticky lacquer.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: red lacquer; to lacquer
Unihan extended: red lacquer; to lacquer

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.


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  • Glyph.10681
  • Strokes: 16
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