闌 fencing; hand rail, balustrade; exhausted, late at night, in full swing, excel, proficient; growing old 閑,吅,丷,門,柬,

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MingLiU:

Mincho:

Gothic:

闌

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On-yomi [ Toggle rōmaji ]

ラン
RA　N

Kun-yomi

た(ける　･　たけなわ　･　てすり
ta　ke　ru　･　ta　ke　na　wa　･　te　su　ri

Glyph elements [ Toggle Font ]

閑

カン,× restful, quiet, leisure, relaxing, remaining idle, unoccupied, within an enclosure

　A WOODY and within THE WAY FURTHER INSIDE, ENTRANCE GATEWAY, TEACHINGS OF A MASTER, SCHOOL OF THOUGHT, METHODOLOGY, SECTION, DIVISION, CLAN
　

吅

× juxtaposed orifices, rowdy behavior; female-female relations

　multiple ORIFICES, MOUTHS
　

丷

× emit upward

　EMISSIONS, EMIT DROPS
　

門

モン,かど,と the way further inside, entrance, gateway; teachings of a master, school of thought, methodology, section, division, clan; classifier for large blasts

　RECIPROCATING ROD MOTIONS in TONGUING MOUTH and TONGUING with FLUID STREAMING
…or: TWO FRIENDS, TWO MEATS (with inner legs raised); PRETENSE and PRETENDING with ROD STREAMING
…or: ROD STREAMING with many JUXTAPOSED ORIFICES
　

柬

カン,ケン,えら an invitation from the lord of the land, landowner; one's host; unable to resist, inviting; split open; prime choice, selected, the chosen ones; packed hard, deflowering a virgin

　MANAGE, CONTROL, ADMINISTER some EMISSIONS
…or: WOODY EMISSIONS (in BOTH SIDES)
…or: WOODY in ORIFICE with emphasis on both sides of orifice
　

Meanings of elements

RESTING REMAINING IDLE, UNOCCUPIED WITHIN AN ENCLOSURE with JUXTAPOSED ORIFICES, ROWDY BEHAVIOR, FEMALE-FEMALE RELATIONS and with EMIT UPWARD SPURTING within both orifices
…or: THE WAY FURTHER INSIDE, ENTRANCE GATEWAY, TEACHINGS OF A MASTER, SCHOOL OF THOUGHT, METHODOLOGY, SECTION, DIVISION, CLAN with AN INVITATION FROM THE LORD OF THE LAND, LANDOWNER, ONE'S HOST, UNABLE TO RESIST, INVITING, SPLIT OPEN, PRIME CHOICE, SELECTED, THE CHOSEN ONES, PACKED HARD DEFLOWERING A VIRGIN, WOODY in JUXTAPOSED ORIFICES
…or: ORGY GATEWAY with SELECTED HAREM VULVA, DEFLOWERING A VIRGIN

「Gateway, orgy」with「selected prime vulva for woody」suggests some sort of containment fencing (perhaps to keep others out rather than hold anyone in), later used as railing or HANDRAIL by the exhausted fief lord or other patrons on their way home as something to lean on, to cling to, to assist with walking after an all-nighter. Chinese meanings of EXHAUSTED and LATE AT NIGHT confirm this understanding. Japanese meanings of IN FULL SWING and FULLY ERECT also suggest being with the cream of the harem, or, creaming the harem as it were. GROWING OLD refers to the need for a railing to hold while walking perhaps whether or not having been all night with a gaggle of teens as juicy as freshwater clams humping to please the lord and take first position.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: railing; balustrade; door-screen; exhausted; late
Japanese: in full swing, at full height, to excel at, to be proficient at, to grow old, to ripen, to rise high, to wither, to fade, to shrivel, to pass one's prime, to start deteriorating, to begin to decline
Unihan extended: door screen; railing fence
EDRDG: rise high; be well along

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.