檪 charcoal from chestnut oak, blackened wood, fully dried with fluids removed, blackwood 柏,丷,ハ,林,白,木,楽,

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MingLiU:

Mincho:

Gothic:

檪

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On-yomi [ Toggle rōmaji ]

レキ　･　ヤク　･　ロウ
RE　KI　･　YA　KU　･　RO　U

Kun-yomi

くぬぎ
ku　nu　gi

Glyph elements [ Toggle Font ]

柏

ハク,ヒャク,ビャク,かしわ white oak; daimyo oak, Japanese emperor oak; hard wood

　WOOD and WHITE, CONSPICUOUS emphasis on TONGUING MOUTH
　

丷

× emit upward

　EMISSIONS, EMIT DROPS
　

ハ

× HTML entity: ハ emit downward

　EMISSIONS, EMIT DROPS
…or: HEAD TAUT
　

林

リン,はやし tree grove, a cluster or grouping of similar trees of the same species; a member's circle of a specific group of people, a collection of similar things as a cluster of people

　TREE GROVE, WOODIES
　

白

ハク,ビャク,しろ,しら～ open-mouthed, conspicuous, white, blank, empty, staring in a stupor, to make clear, inspection

　emphasis marker above TONGUE IN MOUTH
…or: emphasis marker above ROD in MOUTH
　

木

ボク,モク,き,こ～ wood, woody stalk, stem, wooden, a woody, tree, implanted, simple, simpleton, coffin, encased death, unfeeling, numb

　TWISTING a TAUT HEAD
…or: SCREWING EMISSIONS
…or: HAND on TAUT ROD
　

楽

ガク,ラク,ゴウ,たの,この happy, ease, laughing, comfort, relief, pleasure, enjoy, fun, bliss; musical

　SCREWING in FACE with DRIPPING on both sides
…or: HARD WOODY that EMITS IN ALL DIRECTIONS
…or: MENIAL MALE SERVANT, CONSPICUOUSLY BLACKENED FOAMY ORIFICE WHILE STARING IN A STUPOR, TO BE REAR-ENDED, TO RUN INTO ANOTHER FROM BEHIND with EMIT UPWARD SPURTING
…or: OPEN-MOUTHED, CONSPICUOUSLY WHITE EMPTY, STARING IN A STUPOR, MAKE CLEAR, INSPECTION with EMISSIONS UPWARD AND DOWNWARD with WOODY STALK, SCREWING EMISSIONS
…or: STICKY FLUID with EMISSIONS and RUNNING INTO ANOTHER FROM BEHIND
　

Meanings of elements

HARD WOOD SPURTING IN ALL DIRECTIONS with SCREWING EMISSIONS and with ANOTHER WOODY
…or: WOOD and HAPPY, EASE, COMFORT, RELIEF
…or: WOODY CLUSTER with STICKY EMISSIONS IN ALL DIRECTIONS and emphasis on ROD in ORIFICE, HAVING A REASON TO DO SOMETHING

Charcoal is「wood that has been smoked, fired, heated, flamed.」Water content is removed from wood used as charcoal by heating it in a firebox without oxygen to prevent combustion. Oak is very hard wood and therefore makes excellent charcoal, used to cook with and to heat the caves.「Wood musical」refers to the hissing and other sounds caused when moisture as steam is forced from within hardened oak while making charcoal. BLACKWOOD as「leguminous genus Dalbergia, especially D. melanoxylon (of Africa) or D. latifolia (of India), yielding black wood used for carving and musical instruments」
　　[　https://www.thefreedictionary.com/blackwood　]　
　Right glyph itself seems to obliquely refer to a hardened condition of a person's wood, not its color, yet. But「hardwood spurting in all directions with screwing emissions or another woody」suggests BLACKENED WOOD WITH ALL FLUIDS REMOVED after anal intercourse:「conspicuous grouping of woodies with emissions in all directions.」

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Unihan extended: chestnut-leaved oak; oak
EDRDG: oak used for charcoal

Used within names (nanori)
いち

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.