作 to make and create fictions lies stories art or poetry, to feel, do by hand, to pretend, to harvest when ripe, to prepare for future use 仁,ノ,丅,亻,乍,

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MingLiU:

Mincho:

Gothic:

作

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On-yomi [ Toggle rōmaji ]

サク　･　サ
SA　KU　･　SA

Kun-yomi

つく(る　･　つく(り　･　～づく(り
tsu　ku　ru　･　tsu　ku　ri　･　～dzu　ku　ri

Glyph elements [ Toggle Font ]

仁

ジン,ニ,ニン,× benevolence; humane; virtue; kernel, core

　PERSON and CHANGED STATE
…or: PERSONS TWO
　

ノ

× HTML entity: ノ head, sliding down, declining, dammed flow

　HEAD SLIDING DOWN
　

丅

カ,ゲ,した,しも,もと,さ,くだ,お down, rod down

　DOWN
　

亻

× person, rod head

　THE HEAD OF AN ANIMAL OR PERSON and VERTICAL, RECIPROCATING MOTION, ONE'S ROD, STALK OR STEM
　

乍

サ,サク,～なが,たちま without warning, abrupt, rapidity, quick and swift; first use of, first time for; while doing [something else]; both; all there are; spread apart; hair-raising, to bristle, to stand on end, gooseflesh; adze, mattock

　DAMMED FLOW, HEAD SLIDING or PERSON SUPINE with RECIPROCATING MOTION and TWO FINGERS, TIME AND TIME AGAIN
　

Meanings of elements

BENEVOLENT, HUMANE and PROSTRATED with ROD
…or: ROD HEAD SLIDING DOWN and FIRST USE OF, FIRST TIME FOR, WITHOUT WARNING, QUICK AND SWIFT
…or: CORE, KERNEL, INNERMOST PARTS with ROD HEAD DOWN
…or: PERSON and WITHOUT WARNING, QUICK AND SWIFT, FIRST USE OF, FIRST TIME FOR

「Kernel, core, deep inside the innermost parts」with「prostrate rod, sliding head of down rod」describes COMPOSING a fiction or fantasy, PRETENDING.「Humanely explaining」by CREATING a story but not telling the whole truth.
　「Kernel, core of rod emitting」and「humane rod emissions」also describe one purpose behind the foot-dis-integrating scheme as an effort to reduce the spread of infection (see 㑅 as the old equivalent of this glyph), which obviously entailed creating, pretending, and ignoring the female's role also quite obviously.
　「Rod head sliding」with「first time, first use of」(and so on), with meanings that need no further explanation as a dildo initiate, to create something divine, TO CREATE FINE ART (or poetry, music, literature, to COMPOSE), TO FEEL, TO DO BY HAND. But other meanings of TO PREPARE FOR FUTURE USE, TO PRETEND, TO COMMIT and not allow any change back to a former shape or condition, TO HARVEST WHEN RIPE, to get everything READY AND ORGANIZED refer to「person with five」or「person with hand in shape of an adze」performing her first selfie.「Person with adze, mattock」involved in the creation of a sculpture of a 'divine goddess in living tissue' formed from sculpted foot flesh in dynastic China. Of course, Japanese meanings apply the elements literally as references to limited use of a mattock for farming and agricultural purposes, not for reforming feet.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: to do; to grow; to write or compose; to pretend; to regard as; to feel; writings or works
Japanese: work, production, harvest, cultivation, farming, crop, yield, technique, to make, making, producing, manufacturing, building, construction, structure, appearance, forming, cultivating, to train, to till, to draw up, out, to write, to create, to compose, to coin, to make up, to fabricate, to form, to set, to commit
Unihan extended: make; work; compose, write; act, perform
EDRDG: make; production; prepare; build

Used within names (nanori)
くり　･　さか　･　さっ　･　づくり　･　とも　･　なお　･　はぎ　･　まさか

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.