鴾 crested ibis 厶,ノ,拍,一,ㄅ,灬,牟,鳥,

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MingLiU:

Mincho:

Gothic:

鴾

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On-yomi [ Toggle rōmaji ]

ボウ
BO　U

Kun-yomi

とき
to　ki

Glyph elements [ Toggle Font ]

厶

シ,ボウ,ム,わたくし,ござ loosely dripping, odoriferous secret, private

　AMORPHOUS, LOOSE, POTENTIALLY ODORIFEROUS with DRIP
　

ノ

× HTML entity: ノ head, sliding down, declining, dammed flow

　HEAD SLIDING DOWN
　

拍

ハク,ヒョウ,× clapping, rhythm, rhythmic beating, slapping, swatting

　KNOCKING ARRAY with emphasis
…or: BUCKLING UP, SECURE BY RESTRAINT with ARRAY and emphasis on orifice
…or: TALENT, HAND USE and WHITE, CONSPICUOUS, OPEN-MOUTHED, STARING IN A STUPOR
　

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

ㄅ

× tension gasping taut spring-like action, unbound busted foot of dynastic China, painful stress

　ELASTIC POTENTIAL STRAIN ENERGY, FLEXIBLY BENDED AND SPRINGY, FLECTURE TENSION
　

灬

ヒョウ,カ,× many emissions, external fertilization

　EMISSIONS multiplied, EMISSIONS repeatedly
　

牟

ボウ,ム,× acquisition, seeking and getting some; lowing sound, moaning, groaning

　LOOSE AND DRIPPING with CHATTEL, CATTLE
　

鳥

チョウ,とり bird, chick

　OPEN-MOUTHED ARRAYED TENSE with MANY EMISSIONS
…or: OPEN TONGUING MOUTH and HAIRLESS IN HEAVEN, DIVINE with NO-LONGER-INTEGRATED FEET and MANY EMISSIONS
…or: HABITUATED to RAISED ROD and TENSE GASPING with MANY EMISSIONS
　

Meanings of elements

ACQUISITION, SEEKING AND GETTING a BIRD
…or: LOOSE AND DRIPPING over CATTLE and BIRD

「Loose dripping stink over cattle bird」describes a bird defecating upon the back of cattle, literally not figuratively: the crested ibis is a species of heron (shitepokes), birds that naturally form an association with cattle (such as, the cattle egret) in order to catch prey disturbed by the large animals, and also birds that spontaneously defecate when startled. The few CRESTED IBIS specimens remaining alive have long, white feathers behind their bright red and bald head with a long, curved bill, appearing as if it were「loose and dripping」ejaculate in the process of being discharged from a glans penis at the end of a long curved shaft. The birds are all now a protected species, but historically were highly「sought after」to use the feathers as ornaments on human bodies and hats, and because the bird's flesh is so tasty.
「Loose dripping and rhythmical knocking, slapping with array of gasping emissions」「low moaning and groaning sounds with bird」also describes a male human 'flipping his bird' above a herd meat asset situated below, with or without the aid of a no-longer-integrated foot or two.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Japanese EDRDG: crested ibis
Unihan extended: a crested ibis

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.