皤 white, grey; corpulent ー,粕,田,釆,白,番,

注意：このページには、一部の読者にとって不快または不適切な内容が含まれている可能性があります。
Note: This page may contain content that is offensive or inappropriate for some readers.

MingLiU:

Mincho:

Gothic:

皤

Login Welcome!　Introduction
Glyphs missing from your font set may appear strange, or not at all. We recommend enabling East Asian language support.

On-yomi [ Toggle rōmaji ]

ハ　･　ハン
HA　･　HA　N

Glyph elements [ Toggle Font ]

ー

× HTML entity: ー repeated, bobbing

　REPEATED BOBBING
　

粕

ハク,かす lees, dregs, scum, residual, residue

　EMIT UPWARD SPURTING UP with WHITE OAK, DAIMYO OAK, JAPANESE EMPEROR OAK, HARD WOOD
…or: STICKY BLOB OR SPLAT, PUCKERED, FLAMING, MANY SEEDS IN ONE PLACE, RICE GRAINS with OPEN-MOUTHED, CONSPICUOUS, WHITE, BLANK, EMPTY, STARING IN A STUPOR, TO MAKE CLEAR, INSPECTION
…or: CONSPICUOUS WHITE EMISSIONS from HARD WOODY
　

田

デン,た plugged and filled orifice or cavity, wet area for implanting, wetlands, moist night soil, rice paddy, muck pool, slurry pit; public use, many orifices

　TEN in ORIFICE
…or: MANY, MANY ORIFICES
…or: BLOCKED, FILLED, SCREWING and ORIFICE, ENCLOSURE
…or: SOIL in CAVITY
…or: PENIS inverted in SPREAD LEGS
　

釆

ハン,ベン,サイ,と,いろどり,のごめ distinguish, recognize a difference, pick and choose to make the correct selection, something with colors added to it, diverse colors within an item

　DYING YOUNG with ROD EMISSIONS
…or: REPEATEDLY BOBBING with STICKY SPLATS
…or: GONORRHEA EMISSIONS
…or: DAMMED STICKY SPLATS
　

白

ハク,ビャク,しろ,しら～ open-mouthed, conspicuous, white, blank, empty, staring in a stupor, to make clear, inspection

　emphasis marker above TONGUE IN MOUTH
…or: emphasis marker above ROD in MOUTH
　

番

バン,つが someone not from within one's close tribal circle, an outsider, foreigner; be on guard, established sequence of events, to do in sequence, repeated how many times, wrestling match, a bout or physical battle between two people, to ready and nock one's arrow; to do in pairs and take turns doing in sequence, counter for iterations of an action or deed

　SNIFFING THE ODOR of ROD EMISSIONS
…or: DISTINGUISH AND RECOGNIZE THE DIFFERENCE with PUBLIC USE, PROTOPLASM SLIME, SLIMY DARK RED PIGMENT, PLUGGED FILLED ORIFICE OR CAVITY, WET AREA FOR IMPLANTING, WETLANDS, MUCK POOL SLURRY PIT, MANY ORIFICES
　

Meanings of elements

emphasis on TONGUING SOMETHING IN MOUTH and REPEATEDLY BOBBING ON HEAD with STICKY BLOBS AND SPLATS with SCREWING in MOUTH
…or: REPEATEDLY BOBBING HEAD with RESIDUE FILLING MOUTH
…or: WHITE STUFF and ABLE TO DISTINGUISH AND RECOGNIZE THE DIFFERENCE BETWEEN CLEAN EMISSIONS OF SEMEN AND THOSE WITH GONORRHEA with SCREWING MOUTH
…or: OPEN-MOUTHED CONSPICUOUSLY WHITE, BLANK EMPTY STARING IN A STUPOR and with DO IN PAIRS, COUNTER FOR ITERATIONS OF AN ACTION OR DEED, BEING ON GUARD, ESTABLISHED SEQUENCE OF EVENTS, REPEATED HOW MANY TIMES, WRESTLING PHYSICALLY BETWEEN TWO PEOPLE, READY AND NOCK ONE'S ARROW FOR DISCHARGE

The English word CORPULENT literally means a「body having full quantity of」formerly meaning being fed continually, with「white sticky splats from bobbing head and screwing in mouth」that often occurred among sedentary service providers and concubines.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: white
Japanese EDRDG: white, grey, corpulent
Unihan extended: white, grey; corpulent

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.