賸 leftovers, residue, remains 眀,肤,⺼,𠔉,眷,龹,貝,

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MingLiU:

Mincho:

Gothic:

賸

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On-yomi [ Toggle rōmaji ]

⺕ウ　･　ショウ
YO　U　･　SHO　U

Kun-yomi

ます
ma　su

Glyph elements [ Toggle Font ]

眀

ベイ,ミョウ,みる meat inspection, staring at genitals, a flasher, flashing others or oneself, nascent advertising schemes

　CENTER OF FLESHPOT, GOAL, PLACE WHERE EYES ARE FOCUSED and BODY MEAT OR FLESH, CHICKS AND BUNNIES
　

肤

× a skin covering, thin skin; superficial, shallow

　MEAT and ADULT MAN, HUSBAND, THAT, CONSCRIPTED LABORER
　

⺼

× HTML entity: ⺼ body meat or flesh; meat of disintegrated feet; chicks and bunnies

　ERECTION and CLEVER with DROPS
…or: STIFF with CONGEALING and WRAPPED NO-LONGER-INTEGRATED BONES
…or: QUICK MOVEMENTS with FLEDGLING WING
　

𠔉

× HTML entity: 𠔉 burning sensation; rolled, scrolled, coiled

　ON FIRE, BURNING and TWO, CHANGING STATE, FLACCID AND TURGID
…or: EMIT from BOTH HANDS and ARRAYED
…or: EMISSIONS of ADULT MALE
　

眷

ケン,かえり take interest in, care for, have concern, affectionate regard

　EMIT UPWARD or EMIT DOWNWARD with ROD STALK, INDICATES EXTENT with BOTH HANDS and CENTER OF A FLESHPOT, GOAL, PLACE WHERE EYES ARE FOCUSED, INTENTION, AIM, CONTENTS, EXPERIENCE, FAVORED, CARE, AN ITEM SUCH AS MIGHT APPEAR ON A MENU OF CHOICES
…or: BURNING SENSATION, ROLLED EYES
…or: EMISSIONS of ADULT MAN, HUSBAND, THAT THING, CONSCRIPTED LABOR with GOAL, INTENTION, AIM
　

龹

× HTML entity: 龹 burning sensation; rolled, scrolled, coiled

　SHAFT SPURTING and GREAT BIG, BOTH HANDS
…or: TAUT TALENTED TWO-HANDED EMISSIONS
…or: HEATED and TWO, CHANGING STATE, FLACCID AND TURGID
…or: EMISSIONS of ADULT MALE
　

貝

バイ,かい wealth, money, valuable outer shell, fleshpot, valuable external appearance

　AIM, EYE ON GOAL of EMISSIONS
…or: EYEING EXPERIENCE with EMISSIONS
…or: CENTER OF FLESHPOT with EMISSIONS
　

Meanings of elements

MEAT INSPECTION, STARING AT GENITALS with BURNING SENSATION and EMISSIONS
…or: SKIN COVERING with EMISSIONS and FLESHPOT, GOAL OF EMISSIONS
…or: MEAT ROLLED, SCROLLED with FLESHPOT, EXTERNAL APPEARANCE
…or: TAKE INTEREST IN, CARE FOR, HAVE CONCERN, AFFECTIONATE REGARD and MEAT with EMISSIONS
…or: MEAT with CONCERNS
…or: BODY MEAT OR FLESH with BURNING SENSATION, CURLING and CAULDRON, FLESHPOT

「Curling meat with burning sensation in fleshpot」is meat still sizzling at the bottom of the fleshpot, if not removed from over the coals. Scum and such that remains on the bottom inside a pot after searing meat.「Curled meat with residual burning sensation from fleshpots」are the LEFTOVERS, what a client took back home with him after visiting the brothels, a dose of the clap, the constant drip, drip, drip of gonorrhea.「Fleshpot skin covered with emissions」are the DREGS, RESIDUE, REMAINS that the client deposited upon the service provider after accessing her no-longer-integrated feet.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: have as remainder; trad. variant of 剩
Japanese EDRDG: leftovers, residue, remains
Unihan extended: leftovers, residue, remains

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.