繭 callus, cocoon, silk, tightly packed cluster 艹,卝,冂,糸,虫,

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MingLiU:

Mincho:

Gothic:

繭

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On-yomi [ Toggle rōmaji ]

ケン
KE　N

Kun-yomi

まゆ　･　きぬ
ma　yu　･　ki　nu

Glyph elements [ Toggle Font ]

艹

カン,あげまき,あらがね,くさかんむり fucking, emerging shafts, stalks, stems, shoots

　PLANTS, VEGETATION, FLOWERS, EMERGING SHAFTS, BUDDY SYSTEM
…or: ERECTION and ROD within CAVITIES
…or: EMERGE with STALKS, STEMS
…or: TWENTY, MULTIPLE SCREWINGS, PENETRATING SHAFTS, ARRAY OF RODS
…or: HAIR-RAISING PREPUBESCENT YOUNG VIRGIN DIVA
…or: DIVINE, CRESTING HEAD CONDITIONS WHEN ONE'S ROD IS RAISED
…or: DEEP SHAFT
…or: multiple FILLED COMPLETELY PERFECTLY FULL SCREWINGS, ROTATIONS, TWISTINGS, TURNINGS, NEEDLES, TENS
　

卝

× hair-raising, prepubescent, young virgin girl, diva, divine, cresting head, conditions when one's rod is raised, deep shaft

　RAISED ON EACH SIDE OF A YOUNG GIRL'S HEAD
…or: RAISED HEAD on each side
…or: SHAFTS EMERGING, RODS RAISED on both sides
…or: DIVINE front and back
　

冂

キョウ,ケイ,× widely spread legs, surrounding outer edge

　VERTICAL RECIPROCATING MOTION, ROD with TENSION TIGHT SPRING-LIKE ACTION, NO-LONGER-INTEGRATED AND BOUND FOOT OF CHINESE FEMALE
　

糸

シ,いと stringy stinky and silk-like

　TINY SMALLEST YOUNGEST with EMISSION STREAM
　

虫

チュウ,キ,むし snake, worm, caterpillar, insect, larva, bugs, pathogens, corkscrew demons, lower life form, to have a lover, person with a particular undesirable characteristic

　ROD in ORIFICE with REPEATEDLY BOBBING HEAD and DRIP
…or: TWO-SIDED LOOSE and DRIPPING
…or: ORIFICE BITING and DRIPPING
…or: MOUTH and TAIL
…or: SHORT LEG in VULVA
…or: WITHIN, AMONG and HEAD UP AND IN with emphasis
　

Meanings of elements

IMMATURE INSIDE is THREAD and CATERPILLAR

Top element of「raised up rod on both sides, young and immature, prepubescent underaged」(perhaps, larvae not yet metamorphosed into moths, as yet immature) or in some fonts「plant, tree」with「cavities containing」both「threads, spewing sticky fluids」and「insects」: a SILK COCOON. A caterpillar in a cocoon is not responsive to stimulus, being CALLUS, seemingly unfeeling in response to some constantly repeated actions due to lack of interest or insufficient stimulation. Maybe some large, physical callus patches on elbows and knees from overuse,「young girl, spread legs, two cavities, with ejaculations and snaky short leg into both sides」or describing the apparent lack of empathy by the schtupper, or perhaps the eventual apathy of the schtuppee after many repeated sessions.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: cocoon; callus
Japanese EDRDG: cocoon
Unihan extended: cocoon; callus, blister

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.