譍 must, should; response, react; affirming that something must be done, answer, a clusterfuck 广,亻,誰,信,隹,丶,雁,言,

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MingLiU:

Mincho:

Gothic:

譍

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On-yomi [ Toggle rōmaji ]

⺕ウ　･　オウ
YO　U　･　O　U

Kun-yomi

こた(える
ko　ta　e　ru

Glyph elements [ Toggle Font ]

广

ゲン,× widespread behavior of humans in caves, early human habitations, a cave of wonder

　emphasis on HAND
…or: PALMING, HEAD CONTROL of ERECTION
…or: emphasis on ARRAY of ERECTIONS
…or: emphasis on CLIFF
　

亻

× person, rod head

　THE HEAD OF AN ANIMAL OR PERSON and VERTICAL, RECIPROCATING MOTION, ONE'S ROD, STALK OR STEM
　

誰

スイ,だれ,たれ who, whom; anybody; everybody; unnamed person or persons

　BELIEF, FAITH, TRUSTING, AT WILL, AT RANDOM with emphasis on ROD and PRICK
…or: ORAL INTERCOURSE, SAY OR SPEAK WORDS, SEXUAL ACTIVITY AND FOREPLAY with PRIMATE MATING STANCE, MALE HUMAN OR BIRD IN COURTING STANCE, FLAUNTING ONE'S BEST POINT, NARCISSISM, LOVING ONESELF IN FULL PLUMAGE DISPLAY OR WHILE DISPLAYING A PLUME, PUBLIC DISPLAY OF AFFECTION FOR ONE'S OWN BIRD PECKER
…or: SPEAKING with MATING STANCE
…or: COURTSHIP DISPLAY with INTERCOURSE
　

信

シン,× belief, faith, trust, honesty, fidelity; at will, at random; verbal correspondence (oral or written)

　PERSONAL INTERCOURSE
…or: ROD HEAD SLIDING with emphasis on ROD, PALMING CONTROL, CHANGING STATE ONCE and ONCE AGAIN with ORIFICE
…or: PERSON with WORDS
　

隹

サイ,スイ,とり primate mating stance, male human or bird in courting stance, flaunting one's best point, narcissism, loving oneself in full plumage display or while displaying a plume, public display of affection for one's own bird or pecker

　PERSON PALMING ROD PRICK
…or: CORE EMPHASIS on FLESH SEAM SKILL
…or: HEAD SLIDING on UPRIGHT ROD with PALMING CONTROL of PRICK
…or: EMPHASIS on KERNEL OF HUMAN NATURE and TALENTED HANDS USED TO ACCOMPLISH A TASK
　

丶

チュ,× emphasized part of a glyph

　[emphasis is HERE in a glyph]
　

雁

ガン,かり,かりがね screaming wildly that resembles the call of the wild goose, screaming wildly that resembles a bonobo, goosing someone, wild while chasing another person or a goose, glans, head of a penis

　PERSON in a CLUSTERFUCK
…or: CURTAIN of PERSONS IN MATING DISPLAY
…or: HANDS of PERSONS in MATING DISPLAY
…or: HAND of PERSON with PALMING PERSON'S PRICK
　

言

ゲン,ゴン,い,こと intercourse oral or otherwise, to say or speak words, sexual activity and foreplay

　MANY LINES with MOUTH
…or: MANY RODS with ORIFICE
…or: PALM on ROD with HORIZONTAL RECIPROCATING MOTIONS and ORIFICE
　

Meanings of elements

emphasis on INTERCOURSE in a CLUSTER

「Feeling with wild screaming in cavern with goosing-type intercourse」meaning SHOULD AND MUST REACT. A RESPONSE and REACTION to some stimulus that in this case is most likely:「hey, let's go and join them!.」Elements are「palming erection, cavern」with「person and mating display stance」or「cluster」over「intercourse」…but the inner elements (雁) together also refer to「wild screaming, sounds of geese or goosing.」May refer either to a desperate call for help, or, to human vocalization and hollering during sex that apparently evolved exactly for the purpose of attracting additional mates during copulation sessions, meaning SHOULD AND MUST REACT, a REACTION and RESPONSE, AFFIRMING that something must be now be performed: LET'S GO!.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Unihan extended: answer
EDRDG: answer

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.