沖 to dash against, to mix fluids, to infuse, to flush, to rise spurting into the air, to clash, to collide with 丶,冲,丬,口,吅,氵,中,

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MingLiU:

Mincho:

Gothic:

沖

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On-yomi [ Toggle rōmaji ]

チュウ
CHU　U

Kun-yomi

おき　･　おきつ　･　ちゅう(する　･　わく
o　ki　･　o　ki　tsu　･　chu　u　su　ru　･　wa　ku

Glyph elements [ Toggle Font ]

丶

チュ,× emphasized part of a glyph

　[emphasis is HERE in a glyph]
　

冲

チュウ,おき,おきつ,ちゅう,わく pungent, rising, violent mixture of fluids and/or gases; clash, dash, smash against with powerful spurting upwards

　PIECE OF HARD WOOD, WOODY, SUPPORT FROM BENEATH within ORIFICE
…or: DRIPPING ROD in ORIFICE
…or: ROD in DRIPPING ORIFICE
…or: BED, BIER with OPENING, APERTURE
…or: STIFFEN, CONGEAL, HARDEN, TWO PHYSICAL STATES, SOFT AND HARD, FREEZE, DRIPPING and HIT THE 'BULL'S EYE', WITHIN ON THE INSIDE, THROUGHOUT, VULVA, ROD in JUXTAPOSED ORIFICES
　

丬

× piece of stiff wood, a woody, support from beneath, deathbed, bier

　DRIPPING ROD
…or: CONGEALING ROD
…or: CHANGING STATE with a ROD IN RECIPROCATING MOTION
…or: SUPPORTED FROM BENEATH
…or: ROD CHANGING STATES
　

口

コウ,ク,くち orifice, mouth, cavity or passage of the body; an opening, aperture, vent

　ORIFICE
　

吅

× juxtaposed orifices, rowdy behavior; female-female relations

　multiple ORIFICES, MOUTHS
　

氵

×,さんずい fluidity, fluid

　emphasis on MANY DRIPS, DRIPPING, COOLING PROCESS
…or: MANY TIMES DROPS
　

中

チュウ,なか,うち,あた to hit the 'bull's eye' while doing (something), middle, center, within, on the inside, among; two-sided, throughout; vulva, Mother China

　ROD in ORIFICE
…or: ORIFICE TOP TO BOTTOM
…or: ROD in JUXTAPOSED ORIFICES, ROWDY BEHAVIOR
…or: SCREWING in CAVITY
…or: SCREWING in SPREAD LEGS
　

Meanings of elements

FLUIDS and AMIDST, ROD in JUXTAPOSED ORIFICES
…or: emphasis on PIECE OF WOOD in ORIFICE
…or: emphasis on DRIPPING from ROD with ROWDY ACCUSATIONS

「Flow of liquid with vulva」as in to CLASH, COLLIDE, DASH AGAINST representing the repeated motions and contact during coitus until ejaculation, mixing fluids, SPLASHING or SPURTING. Infused by, IMPREGNATED with, EXCITED and COMING SOON. HIGH WAVES splashing and spurting high, rough waves crashing and striking a rocky shore and WHITE FOAM FLYING.
Primarily Japanese meanings of being in the「midst of fluids」such as the OPEN SEA or OFFSHORE. Note that elements as「in the midst of fluids」do not convey the excited, white foamy, splashing, clashing, colliding, dash against meanings, since in the midst of the water there is nothing to bash against, such as the uterine cervix or pubis bone or no-longer-integrated foot or anus or mouth that are suggested by the Chinese meanings. Japanese does convey the sense of ascending into the sky, taking flight, visiting heaven with a diva, and that sort of thing with「vulva fluids.」

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: (of water) to dash against; to mix with water; to infuse; to rinse; to flush; to develop (a film); to rise in the air; to clash; to collide with
Japanese EDRDG: open sea, offing, rise high into the sky
Unihan extended: pour, infuse, steep; wash away

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.