鐲 bracelet, armband, small hanging bell 鉵,罒,勹,金,蜀,

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MingLiU:

Mincho:

Gothic:

鐲

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On-yomi [ Toggle rōmaji ]

タク　･　ショク　･　ゾク
TA　KU　･　SHO　KU　･　ZO　KU

Kun-yomi

ふりがね
fu　ri　ga　ne

Glyph elements [ Toggle Font ]

鉵

トウ,ズ,すき buried in soil of some sort, clustering in fecal slurry, what early humans like

　EASY AND OFTEN PENETRATION, HOOKING UP TOGETHER, BUTTON, BUCKLE, CLASP, ENGRAVE with RECIPROCATING ROD MOTION VERTICALLY and with LOOSE DRIPPING CLOUD OF STENCH, RANCID ODOR MYSELF, PRIVATE, KEEP SECRET, STINKY BENT SHORT THIRD LEG with TOAD, TOAD-LIKE, TOADY and EN MASSE COPULATION IN CLUSTERS, TO CLUSTERFUCK with PERSON and SPURTING SHAFTS PERCOLATING, GUSHING HOT FLUIDS FROM HOLLOW SHAFTS
…or: METALLIC, DIGGING GOLD, PERSON THRUSTING DOWNWARD with SNAKE, WORM, INSECT, LARVAE, BUGS, PATHOGENS, CORKSCREW DEMONS
　

罒

モウ,ボウ,あみがしら,よこめ netting, weaving within spread legs, snare, claptrap

　THE GOODS as ARRAY OF ORIFICES
…or: SPREAD LEGS with WEAVING INSIDE
…or: SPREAD LEGS with SPURTING STANCE
　

勹

ホウ,つつ wrapper, wrapping around

　HEAD SLIDING with HIGH TENSION AND GASPS in SKIN SLIT of NO-LONGER-INTEGRATED FEET
　

金

キン,コン,ゴン,かね,かな～,～がね metallic, digging, gold, person thrusting downward, valuables, testicles, source of wealth

　HAVING MORE THAN NEEDED, EXCESSIVE, TOO MUCH TO USE, SURPLUS, REMAINING, EXTRA RELAXED, I (USED BY EMPEROR ONLY) on ROD, INDICATES EXTENT
…or: PERSON, TAUT ERECTION with THRUSTING DOWNWARD FUCK, BECOME DRAINED OF FLUIDS, EBB, MAIN TRUNK SHAFT with SPURTING STANCE, PERCOLATING GUSHING HOT FLUIDS FROM HOLLOW SHAFT, ROD with EMISSIONS
　

蜀

ショク,ゾク,いもむし cocoon, meat wrapped in sack netting and undergoing fundamental change or metamorphosis, groin poultice, firmly attached, parasitic pathogens, dangerous worm slime, dangerous slimy worm, copulating snakes, horned caterpillar, meat sack with horn protruding from posterior

　NETTING, WEAVING and WRAPPED INSIDE with CATERPILLAR, INSECT LARVA
…or: NETTING, WEAVING WITHIN SPREAD LEGS, SNARE, CLAPTRAP and WRAPPED INSIDE, WRAPPING AROUND, HEAD AND NECK DANGER with SNAKE, WORM, LARVA, BUGS, PATHOGENS, CORKSCREW DEMONS
　

Meanings of elements

BURIED IN SOIL OF SOME SORT, CLUSTERING IN FECAL SLURRY with NETTING, WEAVING WITHIN SPREAD LEGS, SNARE, CLAPTRAP and WRAPPED INSIDE, WRAPPING AROUND HEAD AND NECK, DANGER
…or: METALLIC, DIGGING GOLD, PERSON THRUSTING DOWNWARD and with FIRMLY ATTACHED, GREENHORN, PARASITE, DANGEROUS WORM, PATHOGENS, CORKSCREW DEMONS, LOOSE DRIPPING RANCID ROD ORIFICE

It is unknown whether lepers and/or syphilitics in China were required to wear a bell at all times announcing their presence to anyone they may be approaching, but these two elements as「metal」with「firmly attached, parasite」indicate that this may have been the case, as it was in Europe. Perhaps another idea that the Europeans obtained from the Chinese. Note that this practice was also required of lepers who displayed skin lesions not unlike those of syphilis.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: bracelet
Unihan extended: bracelet, armband; small bell
EDRDG: bracelet; arm-band; small bell

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.