鷹 raptor, hawk, falcon, eagle 广,亻,鵻,丶,雁,鳥,

注意：このページには、一部の読者にとって不快または不適切な内容が含まれている可能性があります。
Note: This page may contain content that is offensive or inappropriate for some readers.

MingLiU:

Mincho:

Gothic:

鷹

Login Welcome!　Introduction
Glyphs missing from your font set may appear strange, or not at all. We recommend enabling East Asian language support.

On-yomi [ Toggle rōmaji ]

⺕ウ　･　オウ
YO　U　･　O　U

Kun-yomi

たか
ta　ka

Glyph elements [ Toggle Font ]

广

ゲン,× widespread behavior of humans in caves, early human habitations, a cave of wonder

　emphasis on HAND
…or: PALMING, HEAD CONTROL of ERECTION
…or: emphasis on ARRAY of ERECTIONS
…or: emphasis on CLIFF
　

亻

× person (male generally), rod head, head on rod

　THE HEAD OF AN ANIMAL OR PERSON and VERTICAL, RECIPROCATING MOTION, ONE'S ROD, STALK OR STEM
　

鵻

スイ,シュン,こばと snipe, hawk, turtur dove [or, turtledove], pigeon

　BIRD and MATING STANCE, FLAUNTING ONE'S BEST POINTS, NARCISSISM IN FULL PLUMAGE DISPLAY
　

丶

チュ,× emphasized part of a glyph

　[emphasis is HERE in a glyph]
　

雁

ガン,かり,かりがね screaming wildly that resembles the call of the wild goose, screaming wildly that resembles a bonobo, goosing someone, wild while chasing another person or a goose, glans, head of a penis

　PERSON in a CLUSTERFUCK
…or: CURTAIN of PERSONS IN MATING DISPLAY
…or: HANDS of PERSONS in MATING DISPLAY
…or: HAND of PERSON with PALMING PERSON'S PRICK
　

鳥

チョウ,とり bird, chick

　OPEN-MOUTHED ARRAYED TENSE with MANY EMISSIONS
…or: OPEN TONGUING MOUTH and HAIRLESS IN HEAVEN, DIVINE with NO-LONGER-INTEGRATED FEET and MANY EMISSIONS
…or: HABITUATED to RAISED ROD and TENSE GASPING with MANY EMISSIONS
　

Meanings of elements

PALMING ERECTION and SCREAMING WILDLY GOOSING, WILD WITH GLANS HEAD OF A PENIS CHASING a BIRD, CHICK
…or: PALMING (GRASPING IN TALONS) STIFFLY on HEAD and VERTICAL MOTION with SNIPE, HAWK, TURTUR DOVE, PIGEON
…or: THIS IS THE POINT with SCREAMING WILDLY WHILE CHASING ANOTHER BIRD, CHICK
…or: CLIFF and SCREAMING BIRD
…or: emphasis above SCREAMING BIRD

Enclosing element is perhaps a marker stroke「above the cliffs」rather than inside a cavern, since RAPTORS often soar above the cliffs, but not too often within caverns. Inner「person bird」may refer to a bird that hunts as do humans, or, hunts with humans perching on a forearm.「Cliff bird that screams as does a goose being violated in its cloaca by humans for fun」likely refers to a cliff-dwelling RAPTOR that at times sounds as if it is screaming like a victim being anally raped as it dives from a position above its prey.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: eagle; falcon; hawk
Japanese EDRDG: hawk
Unihan extended: eagle, falcon; Accipiter species (various)

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.