昊 heaven, divine, celestial, boundless, no limit, never-ending, heavenly, sky 一,吴,口,干,乀,旦,大,曰,天,

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MingLiU:

Mincho:

Gothic:

昊

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On-yomi [ Toggle rōmaji ]

コウ
KO　U

Kun-yomi

そら
so　ra

Glyph elements [ Toggle Font ]

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

吴

ゴ,く,くれ place name, divine service providers, a continuous state of war, warring states

　HEAVENLY ORIFICE
…or: ORIFICE and THRUSTING DOWNWARD TO THE OTHER SIDE, TOO
　

口

コウ,ク,くち orifice, mouth, cavity or passage of the body; an opening, aperture, vent

　ORIFICE
　

干

カン,ほ,～ぼ,ひ thrusting downward, to fuck, become drained of fluids, ebb; defensive; main trunk or shaft

　INVERTED PENIS, ROD DOWN
…or: ARRAY of SCREWING
　

乀

フツ,ブチ,ま stretched taut; leashed under control of another; the other side (of something)

　STRETCHED TAUT
　

旦

タン,ダン,あき,あきら,ただし,あさ,あした on the verge, on the edge, feudal lord, braggart, chutzpah, gall, husband, brothel client, female role, dawn, dawning, an awakening

　SUN above HORIZON
…or: TONGUING MOUTH ARRAY
　

大

ダイ,タイ,おお～,～おお relatively big condition; two-handed both hands

　ROD TAUT and ERECT
…or: HAND TAUT
…or: HAND with marker for other hand, too
…or: ROD of MALE ADULT
　

曰

エツ,いわ,のたま,ここに tonguing something, tongue in a mouth, speak, say; having a reason to do something, pretending, a pretext, excuse given to hide the true reason for something, rod within orifice or mouth

　ROD in ORIFICE, MOUTH
…or: ORIFICE, MOUTH and ARRAYED
…or: RAISED ROD in CAVITY CONTAINMENT
…or: DIVINE, DIVA with IN-OUT, END-TO-END
　

天

テン,あまつ,あめ,あま～ heaven, divine, celestial, boundless, no limit, never-ending, heavenly, sky

　HORIZONTAL MOTION, ROD with BOTH HANDS, BIG
…or: TAUT DOWNWARD THRUSTING PENIS
…or: BIG ARRAY
…or: TWO MALE PERSONS
…or: ROD with HAND and TAUT
　

Meanings of elements

DIVINE SERVICE PROVIDER and ARRAY, ROD in ORIFICE
…or: HEAVENLY ORIFICE with ONE
…or: FELLATING IN THE FEMALE ROLE and GRAND, MUCH, BIG TIME, TWO-HANDED
…or: TONGUING SOMETHING IN A MOUTH, HAVING A REASON TO DO SOMETHING and BOUNDLESS, NO LIMIT, NEVER-ENDING, HEAVENLY

The Sun remains in the sky longest on the last day of the spring season, but the daylight period becomes shorter from that day every day until the winter solstice, which is exactly the opposite fact proposed by the elements if read as「sun in heaven」to indicate a LIMITLESS SUMMER. Nevertheless,「heavenly tonguing mouths」suggest VAST, LIMITLESS activities that can more easily be performed outdoors in the SUMMERTIME…in fact, the size of the sky does not vary with seasonal changes, only the amount of daylight and nighttime. In the past, humans didn't need or use many clothes in the summer either, something that may have contributed to the increased application of「tonguing mouths to downward thrusting penises.」Note also that the original glyph (昦) replaced by this one uses elements of「tonguing mouth and two hands with erection in reciprocating motion」as it referred to both early humanoids and bonobos.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: vast and limitless; the vast sky
Unihan extended: summer time; sky; heaven
EDRDG: sky; big

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.