拄 to lean on, to prop upon, to ridicule, to prod, woody post 扛,一,丶,抂,亠,土,扌,主,

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MingLiU:

Mincho:

Gothic:

拄

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On-yomi [ Toggle rōmaji ]

チュ
CHU

Kun-yomi

あ(げる
a　ge　ru

Glyph elements [ Toggle Font ]

扛

コウ,あ carry on shoulders, lift with both hands, to place weight upon one's shoulders

　TALENTED USING BOTH OF ONE'S HANDS TO ACCOMPLISH A TASK and CRAFT AND SKILL NECESSARY TO PERFORM A JOB
…or: USING HANDS with a FLESH SEAM
　

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

丶

チュ,× emphasized part of a glyph

　[emphasis is HERE in a glyph]
　

抂

キョウ,ゴウ,× disorder, breach of civic order, lack of normal functioning of physical or mental processes, throw into confusion or disarray, deranged

　USING BOTH OF ONE'S HANDS TO ACCOMPLISH A TASK and KING, THE CROWN, RULERSHIP
　

亠

トウ,× emphasis on rod, palming, under control, covered

　THIS IS THE POINT emphasis on ROD, SEGMENT, ARRAY, INDICATES EXTENT
　

土

ド,ト,つち soil, night soil (feces)

　SCREWING with ROD
…or: RODS UP
…or: ROD within A FLESH SEAM
　

扌

シュ,× talented, using both of one's hands to accomplish a task

　TALENT
…or: USING BOTH HANDS
…or: ARRAY of STREAMS with SLIDING HEAD IN
　

主

シュ,ス,シュウ,ぬし,おも,あるじ the owner or master, lord, main, principal; GOD

　emphasis on KING
…or: above the KING
…or: PALM in CONTROL of LAND
　

Meanings of elements

DISORDER with emphasis at the top
…or: TALENTED, USING BOTH OF ONE'S HANDS TO ACCOMPLISH A TASK with THE OWNER OR MASTER, LORD, MAIN, PRINCIPAL
…or: TALENTED USING BOTH OF ONE'S HANDS TO ACCOMPLISH A TASK with emphasis on ROD, CONTROL and FECES
…or: TALENTED HANDS with emphasis on ROD in FLESH SEAM

[Elements vary by font] either hanging on to prevent from falling over, or, attempting to move someone in a state of torpor.「Disorder at the top」after「using two hands to lift an array of small flesh seams shoulder high…」(see elements for details) such as when inspecting some new concubines in dynastic China. The master's two hands possibly could be used for PRODDING to verify some quality or another (if that listed meaning is not a typographical error of 'prop.'…).
Alternative elements in some fonts indicate「using two hands with emphasis on rod with feces」to PROD a subject where the Sun normally does not shine, and perhaps incite a fair amount of RIDICULE: likely PROP up that subject LEANING UPON that rod, placed beneath the subject's fecal portal. Note that anal coitus with joking ridicule is a common and recurring theme of these glyphs created by the old Chinese sages, and still serves as the butt of many jokes yet today.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: to lean on; to prop on
Japanese EDRDG: lean on, post, prod, ridicule
Unihan extended: lean on; post; prod; ridicule

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.