致 to do (the polite form), to engage, cause something to occur, extreme, fine and delicate; to send, to deliver, to convey; to devote; to cause a point of view or an opinion 肱,𠫔,一,厶,坆,至,攵,夊,

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MingLiU:

Mincho:

Gothic:

致

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On-yomi [ Toggle rōmaji ]

チ
CHI

Kun-yomi

いた(す
i　ta　su

Glyph elements [ Toggle Font ]

肱

コウ,かいな,ひじ,まるい arm, ability, talent, measuring the girth of round objects

　BODY MEAT and ELBOW, BICEP, HAND LOOSE AND DRIPPING
…or: SURROUND the MEAT, HAND LOOSELY with MEAT
　

𠫔

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

厶

シ,ボウ,ム,わたくし,ござ loosely dripping, odoriferous secret, private

　AMORPHOUS, LOOSE, POTENTIALLY ODORIFEROUS with DRIP
　

坆

バイ,フン,はか plum; grave, tomb

　RECIPROCATING MOTION ROD within FLESH SEAM WHACKING, ON THE OFFENSIVE ASSAULTING, DOMINANT PARTNER OF A HOMOSEXUAL RELATIONSHIP
…or: SOIL, CLAY, FECES, OPIUM and COERCE, FORCE, INCITE ACTION, PROSTRATE WHACKING
　

至

シ,いた climax, extreme, to the fullest extent possible, the most, reach the utmost peak, leading toward, arrive at the goal

　ARRAYED LOOSE AND DRIPPING STINKY with NIGHT SOIL
…or: HORIZONTAL MOTION of SHORT LEG in SOIL
　

攵

ホク,× goad, coerce, force, incite action, prostrate and stroking, whacking

　SUPINE with PETTING CROSSING MOTION
…or: WHACKED and PROSTRATED
　

夊

スイ,ゆき heels over head, place over and above head or beside ears; to be delayed by an offer that cannot be refused; full access, restrictions lifted

　SPREAD FEET (extended above head)
　

Meanings of elements

ARRAY of LOOSE DRIPPING PLUMS
…or: ARRIVAL AT THE GOAL, UTMOST with INVERTED SPREAD FEET or COERCION
…or: ARRAY of STENCH-FILLED TOMBS, GRAVES

Likely in regard to some OBSEQUIOUSLY POLITE BEHAVIOR while trying to please someone by DOING HUMBLY what the person would wish. In Chinese, elements of「arrive, to come」in the「utmost position by lying prone with spread feet crotch」and the ends of the legs (that is, the feet) positioned above or over the head, beside the ears, likely in regard to some special sort of DELIVERY or SENDING somewhere divine with FINE and DELICATE motions. Assuming such a position would CONVEY a message and likely be the certain CAUSE OF SPECIFIC BEHAVIOR also seen in modern fonts that pair elements of「utmost coercion」as once again suggesting that someone has received an offer that cannot be refused, ignored, or misunderstood as to intent—animals other than human beings still do this all the time when inviting a partner for sex as a surefire method for gathering a cluster of potential mates, and humans today can be seen to do so while performing in pole dancing establishments and while pledging for some college fraternities in order to elicit the exact same response. Note the difference in the right element using「prone and whacking」instead of「prone with feet inverted beside ears」results in one additional stroke in Japanese.
　Chinese sources describe the non-JIS glyph 𠫔 as an old elemental form of「talented arm (with hand)」(肱) resulting in「meat and talented arm/hand with feces and inverted spread feet」: TO DO (the polite form).

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: fine; delicate; to send; to devote; to deliver; to cause; to convey
Japanese: to do
Unihan extended: send, deliver, present; cause
EDRDG: doth; do; send; forward; cause; exert; incur; engage

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.