矧 much more, still more, gingiva, tooth gums; fletching of an arrow; questioning, in question, interrogatory 矤,丨,矢,引,

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MingLiU:

Mincho:

Gothic:

矧

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On-yomi [ Toggle rōmaji ]

シン
SHI　N

Kun-yomi

は(ぐ　･　いわ(んや　･　はぐき　･　はぎ
ha　gu　･　i　wa　n　ya　･　ha　gu　ki　･　ha　gi

Glyph elements [ Toggle Font ]

矤

シン,いわ,は,はぎ undischarged; not yet fired, shot, or blasted; ready and loaded, primed

　ARCHERY BOW with an ARROW
…or: ARCH OF NO-LONGER-INTEGRATED FOOT and CONDITIONS OF SEXUAL INTERCOURSE
…or: CURVED DIRK
…or: ARCH for HEAD in HEAVEN, DIRK
　

丨

コン,シ,ジョ,ニョ,すす,しりぞ vertical, reciprocating motion vertically, rod stalk or stem while vertical

　TOP TO BOTTOM, BOTTOM TO TOP, UP-DOWN
　

矢

シ,や penetrating shaft with a head, arrow, to vow, to swear

　HEAD in HEAVEN
…or: PROSTRATE and BIG
…or: HEAD on SHAFT with LATERAL MOTION into PERSON
…or: one's HEAVENLY HEAD
　

引

イン,ひ,～び to introduce one thing into another, to guide into; to attract, to draw toward, to pull into, to pull out of, subtract; to quote; to retire; distance of about 33 meters (110 feet) as the length of a discharged bowshot

　NO-LONGER-INTEGRATED FOOT END-TO-END with ROD
…or: ARCHED SHAPE with RECIPROCATING MOTION
　

Meanings of elements

UNDISCHARGED, PRIMED AND LOADED with ROD IN VERTICAL RECIPROCATING MOTION
…or: CONDITION OF SEXUAL INTERCOURSE and PULL VERTICALLY, PULL UP
…or: ARROW, DIRK and PULLED TOWARD FACE

A toothless person, likely a skilled and experienced concubine or service provider who is perhaps now old and「not engaging in other forms of intercourse」using her GUMS as「head downward thrusting to one side and then the other side, too」with「loosened, pulling toward the face」giving STILL MORE as a service provider…「pulling vertically on the client's weapon, dart, arrow」with strong sucking motions, and gentle GUM work.
One's「dirk, arrow-like shaft」that is「pulled toward face, arched and vertically erect」suggests a closer inspection prior to engagement with one's MOUTH GUMS, to wit: QUESTIONING, IN QUESTION, INTERROGATORY, and MORE TO COME naturally, all concepts not covered too well by the simple「arrow pulled, bow vertical」meaning of these elements. See 訠,「intercourse with pulled toward face.」
Seemingly describes the general location on an arrow where one pulls back, the FLETCHING, as「arrow, pull toward face」—yet actually, most archers place fingers above and below without pulling or grasping any part of an arrow at all, leastwise the fletching feathers, instead pulling back on the bowstring since doing so allows for greater control. It might be imagined that the nock of an arrow located behind the fletching also resembles a set of「toothless gums」surrounding the bowstring,「in and out in high tension for a long time with gasping.」To fletch means adding feathers to an arrow, and not discharging or using the arrow yet. The purpose of adding feathers to a shaft is for guiding the motion into a straight path as the shaft moves…adding a feathering touch as TOOTH GUMS clearly reflects the meaning of a shaft moving within a mouth with the motions guided by the gums. See the related glyph 'intercourse, pulling toward face' (訠).

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: (interrog.)
Japanese EDRDG: feather (arrow)
Unihan extended: much more, still more; the gums

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.