俑 effigy, wooden figure buried with a dead person, woody buried within a dead person, guys and dolls, figurine, statue, statuette, model 佣,マ,田,丨,冂,亻,甬,

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MingLiU:

Mincho:

Gothic:

俑

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On-yomi [ Toggle rōmaji ]

⺕ウ　･　トウ　･　ユウ
YO　U　･　TO　U　･　YU　U

Glyph elements [ Toggle Font ]

佣

⺕ウ,× to hire, to employ; servant, hired laborer, domestic help; commission (for middleman), brokerage fee

　PERSON and NOW IN USE, BUSINESS TASK ERRAND, TO EMPLOY, SOMETHING ONE MUST DO
…or: PERSON for ROD IN MEAT
　

マ

× HTML entity: マ kowtow position kneeling and bowing forward down on all fours with buttocks protruding in the lordosis position; shuttling movements back and forth

　DOWN from BOWING POSITION
…or: TENSION LONG TIME and marker
　

田

デン,た plugged and filled orifice or cavity, wet area for implanting, wetlands, moist night soil, rice paddy, muck pool, slurry pit; public use, many orifices

　TEN in ORIFICE
…or: MANY, MANY ORIFICES
…or: BLOCKED, FILLED, SCREWING and ORIFICE, ENCLOSURE
…or: SOIL in CAVITY
…or: PENIS inverted in SPREAD LEGS
　

丨

コン,シ,ジョ,ニョ,すす,しりぞ vertical, reciprocating motion vertically, rod stalk or stem while vertical

　TOP TO BOTTOM, BOTTOM TO TOP, UP-DOWN
　

冂

キョウ,ケイ,× widely spread legs, surrounding outer edge

　VERTICAL RECIPROCATING MOTION, ROD with TENSION TIGHT SPRING-LIKE ACTION, NO-LONGER-INTEGRATED AND BOUND FOOT OF CHINESE FEMALE
　

亻

× person, rod head

　THE HEAD OF AN ANIMAL OR PERSON and VERTICAL, RECIPROCATING MOTION, ONE'S ROD, STALK OR STEM
　

甬

⺕ウ,× pass through, path between soil walls on both sides, remaining only a short while, stiff container, bucket, shitcan, to pass stool, feces, flowing fluids among soil walls, river name

　KNEELING ON ALL FOURS behind CLOSED GATEWAY, NOW IN USE
…or: SHUTTLING MOTION with EXCRETION
　

Meanings of elements

EMPLOY, SERVANT, HIRED LABORER in KOWTOW POSITION, KNEELING AND BOWING FORWARD DOWN ON ALL FOURS WITH BUTTOCKS PROTRUDING IN THE LORDOSIS POSITION
…or: ROD HEAD SLIDING with PATH BETWEEN SOIL WALLS, PASS THROUGH REMAINING ONLY A SHORT WHILE, STIFF CONTAINER, BUCKET, SHITCAN

「Person with a stiff, bucket」or「person-like and stiff」or「person is stiff」or「person and passing through only remaining a short while」on their way to becoming divine, being in heaven「while passing between the walls of a narrow passageway」located within a divine service provider or the soil walls of a grave (with one being likened to the other).「Rod head and passing between walls with soil」describes anal necrophilia, a practice not uncommon long ago, or even still today.
　「Singular accounts of necrophilia in history are sporadic, though written records suggest the practice was present within Ancient Egypt. Herodotus writes in The Histories that, to discourage intercourse with a corpse, ancient Egyptians left deceased beautiful women to decay for 'three or four days' before giving them to the embalmers. Herodotus also alluded to suggestions that Greek tyrant Periander had defiled the corpse of his wife, employing a metaphor: 'Periander baked his bread in a cold oven.' Acts of necrophilia are depicted on ceramics from the Moche culture, which reigned in northern Peru from the first to eighth century CE. A common theme in these artifacts is the masturbation of a male skeleton by a living woman. Hittite law from the 16th century BC through to the 13th century BC explicitly permitted sex with the dead.」
　[ https://en.wikipedia.org/wiki/Necrophilia 2015-11-22, emphasis ours ]; before decrying, note that cannibalism, torture until death, and necrophilia were portrayed in the original Snow White and the Seven Dwarfs by the Brothers Grimm in their children's tale.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: wooden figures buried with the dead
Unihan extended: wooden figure buried with dead
EDRDG: effigy

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.