冓 inner sanctum, lord's various personal chambers within a palace, a secluded place, ten billion times, great accumulation, massive sexual/anal activity 龷,王,冂,,茻,井,再,龶,龶,冉,

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MingLiU:

Mincho:

Gothic:

冓

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On-yomi [ Toggle rōmaji ]

コウ
KO　U

Kun-yomi

かま(える
ka　ma　e　ru

Glyph elements [ Toggle Font ]

龷

× HTML entity: 龷 cooperating, buddy system, working jointly, both, piled one on top of another, layered

　two SOIL or UPWARD THRUSTING elements in close contact
　

王

オウ,～ノウ,× king, the crown, rulership

　WIDE ARRAY of LAND
…or: WIDE ARRAY of DIRT, NIGHT SOIL
…or: WIDE ARRAY of FLESH SEAMS
　

冂

キョウ,ケイ,× widely spread legs, surrounding outer edge

　VERTICAL RECIPROCATING MOTION, ROD with TENSION TIGHT SPRING-LIKE ACTION, NO-LONGER-INTEGRATED AND BOUND FOOT OF CHINESE FEMALE
　

茻

× community

　MANY EMERGING SHAFTS or LARGE BUDDY SYSTEM
…or: MANY RODS, ERECTIONS in CAVITIES, SHEATHS
　

井

セイ,ショウ,い community, water well; lattice shape; all around

　many, many EMERGING SHAFTS
…or: many, many FLESH SEAMS
…or: ARRAY of ERECTION with SCREWING
　

再

サイ,ふたた again, repeat, once more, do it again, doing something twice, going back for seconds, a second helping, reloading; [prefix] re~

　KING inside SPREAD LEGS
…or: ROD with NIGHT SOIL within SPREAD LEGS
…or: ROD IN RECIPROCATING MOTION with RED-BROWN PASTY MIXTURE
…or: ONE and PASSING TIME IDLY, SLOWLY LOWERING, DROOPING, FLACCID, WEAKENED, TENDER AND SOFT, PROCEEDING SLOWLY AND CAUTIOUSLY
　

龶

× HTML entity: 龶 prick, stab; tapered; painful condition [as an element], thorn; scorpion telson with setae bristles

　MANY TIMES with VERTICAL, RECIPROCAL MOTION
…or: PENIS within CLOSED ORIFICE OF FLESH SEAM, CRAFTY
…or: ROD UP with TURGID-FLACCID CHANGING STATE
…or: ARRAY of PENIS
…or: ARRAYED with FECES
…or: ARRAY of FLESH SEAMS
　

龶

× HTML entity: 龶 prick, stab; tapered; painful condition [as an element], thorn; scorpion telson with setae bristles

冉

ゼン,ネン,あや passing time, idle; slowly lowering, drooping, flaccid, weakened, tender and soft, proceeding slowly and cautiously; red and brown

　ROD and EXTRACTED from BETWEEN SPREAD LEGS
…or: SOILED within LEGS SPREAD
　

Meanings of elements

multiple PENIS and KING in SPREAD LEGS
…or: COOPERATIVE PILING ON and RELOADING, DO IT AGAIN
…or: multiple PRICKS with SOILED SPREAD LEGS
…or: multiple PRICKS just PASSING TIME

Source of top element「multiple pricks」was apparently「four emerging shafts」(茻) to indicate an 'order of magnitude greater number,' or TEN BILLION occurrences of「pricks」with「soiled spread legs」(…that may not have been an exaggeration by the sages), and seems to have referred to the PALACE INNER SANCTUM, the EMPEROR'S CHAMBERS (where else?), a GREAT ACCUMULATION of「pricks and soiled spread legs.」

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: inner rooms of palace; ten billions
Unihan extended: a secluded place; secret cabinet
EDRDG: put together; inner palace

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.