㞢 arrival; get going; possession, this is mine, ownership 丄,凵,屮,一,

注意：このページには、一部の読者にとって不快または不適切な内容が含まれている可能性があります。
Note: This page may contain content that is offensive or inappropriate for some readers.

MingLiU:

Mincho:

Gothic:

㞢

Login Welcome!　Introduction
Glyphs missing from your font set may appear strange, or not at all. We recommend enabling East Asian language support.

Glyph elements [ Toggle Font ]

丄

ジョウ,ショウ,うえ,うわ～,かみ,あ,のぼ,よ up, rod up

凵

カン,× cavity, open container, receptacle, bin

　THREE-SIDED and OPEN
　

屮

テツ,サ,ひだりて HTML entity: 屮 emerging stem shaft

　STEM, STALK, ROD IN VERTICAL MOTION EMERGING FROM SHEATH, FROM WITHIN A CAVITY
　

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

Meanings of elements

EMERGING SHAFT in ARRAY
…or: ROD UP in CAVITY

「Array of emerging shafts」moving「up into cavity」as the ancient form of one's owned POSSESSION, such a sex slave with whom one can GET IT GOING and COME, ARRIVE at the intended outcome. Note that Japanese refer to sexual orgasmic climax as「to go, going, gone」and not as come, coming, came.
　Nevertheless, most non-transsexed males view their own「rod sheathed」「rod up emerging from cavity, skin sheath」also as his most prized POSSESSION—some males even assign a proper noun name to this gland—imagine that if you will (see 士). Note that this glyph「rod up in cavity」of some sort is the ancient form denoting one's owned POSSESSION that later was replaced after foot-dis-integrating of young girls came into vogue in dynastic China with 之, comprised of the elements 'emphasis on no-longer-integrated feet, leashed taut, the other one too.'

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Unihan extended: (ancient form of 之) to arrive at; to go to

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.