座 immovable, in a fixed position, sitting on the floor or ground; one's position; constellation, a group of stars; theater; Buddhist deities; squatting, holding still, to be implicated, to connect intimately or incriminatingly 丶,圧,庄,从,土,工,丨,广,坐,

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Gothic:

座

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On-yomi [ Toggle rōmaji ]

ザ
ZA

Kun-yomi

すわ(る
su　wa　ru

Glyph elements [ Toggle Font ]

丶

チュ,× emphasized part of a glyph

　[emphasis is HERE in a glyph]
　

圧

アツ,エン,オウ,お,へ,おさ to stuff, engorged, compress, pressure, to overpower, to dent, to jostle, to push into; domination, authority, a commanding presence, dictate

　CLIFF over GROUND
…or: ARRAY of ERECTIONS with SHIT
…or: HAND SCREWING ARRAY
　

庄

ショウ,ソ,ソウ,ホウ,× manor, large home, hamlet surrounding a manor

　marker above STUFFED ENGORGED PRESSURE
…or: CAVERNOUS GROUNDS
…or: emphasis on DICTATORIAL AUTHORITY
　

从

ショウ,ジュウ,したが,より following submissively; passing through a gap; to obey; to engage in actions, joining; an accessory

　PERSON with PERSON
　

土

ド,ト,つち soil, clay, earth, ground, night soil, feces, manure, ordure, opium

　FULL SCREWING ARRAY
…or: ARRAY of RODS UP
…or: ROD within FLESH SEAM
　

工

コウ,ク,グ,× closed seam of flesh; planning and skill necessary to perform a job, skilled worker with various woods; a trade

　CLOSED ORIFICE
…or: VERTICAL within TWO MODES, CHANGING STATE
…or: UPPER joining LOWER
　

丨

コン,シ,ジョ,ニョ,すす,しりぞ vertical, reciprocating motion vertically, rod stalk or stem while vertical

　TOP TO BOTTOM, BOTTOM TO TOP, UP-DOWN
　

广

ゲン,× widespread behavior of humans in caves, early human habitations, a cave of wonder

　emphasis on HAND
…or: PALMING, HEAD CONTROL of ERECTION
…or: emphasis on ARRAY of ERECTIONS
…or: emphasis on CLIFF
　

坐

ザ,サ,すわ,おわす,そぞろに,まします sitting on one's heels, punishing

　PERSONS on SOIL, GROUND
…or: PEOPLE FOLLOWING ONE AFTER ANOTHER with NIGHT SOIL
…or: OBEDIENT ACCESSORY with LONG ROD IN FLESH SEAM
　

Meanings of elements

emphasis on PRESSURE with PEOPLE on both sides
…or: MANOR, LARGE HOME, HAMLET and ENGAGE IN ACTIONS, JOINING AS AN ACCESSORY
…or: CAVERN, HUMAN HABITATION, WIDESPREAD BEHAVIOR OF HUMANS and SITTING ON ONE'S HEELS, PUNISHING
…or: CAVITY and PASSING THROUGH A GAP over FECAL SOIL
…or: emphasis on JOSTLE, TO PUSH IT with SUBMISSIVELY PASSING and OBEDIENCE
…or: emphasis on ROD ERECTION with RECIPROCATING VERTICAL ROD MOTIONS within FLESH SEAM and OBEDIENCE, PRESSURE ON BOTH SIDES

Depicts「sitting on the ground」within a large「cavern」in an IMMOVABLE and FIXED POSITION (ask yourself: who would do that, and why?).「Cavern with people on both sides on feces and/or soil」describes being seated upon one's ass (the fecal outlet of the alimentary canal is located there, generally), or on the cave floor. Literally sitting in one's own feces may possibly cause immobility, at least until one's guests departed. SQUATTING while IMMOVABLE over feces and/or soil is suggestive of being within the act of defecation, HOLDING STILL since it is not normally considered a wise practice to hop about much during these emerging moments. BUDDHIST DEITIES are often graven human-like images SITTING on their two buttocks.
　CONSTELLATION derives from「the place to locate known stars」(ask yourself: how many actual celestial stars are visible from within a cavern?), A GROUP OF STARS. A「gathering of stars」as the THEATER, another place where you sit a long time on the ground while watching stars in a performance of some sort (theater seats are a modern invention).「Star」of course is an old Chinese euphemism for the service providers of the shaman in her「cavern of wonders, on both sides are people in shit.」
　HOLDING STILL is necessary for logistical reasons when a STAR service provider is accommodating「two taut erections with emphasis on rod(s) within flesh seam(s) on both sides」in order to provide a relatively IMMOBILE target point of entry and follow-up activity for each of the patrons,「emphasis on jostle, to push it with submissively passing and obedience.」

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: seat; base; stand; classifier for buildings, mountains and similar immovable objects
Japanese: seat, place, position, status, gathering, group, stand, pedestal, platform, trade guild, attaches to the names of theatres, theatrical troupes, constellations, deities, Buddhist images, tall mountains, to sit, to squat, to be implicated
Unihan extended: seat; stand, base
EDRDG: squat; seat; cushion; gathering; sit

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.