軒 private carriage; highs, high spirits (literal or figurative), the Coolidge Effect; house eaves, counter for houses; giving or using a false name 車,干,

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MingLiU:

Mincho:

Gothic:

軒

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On-yomi [ Toggle rōmaji ]

ケン
KE　N

Kun-yomi

のき
no　ki

Glyph elements [ Toggle Font ]

車

シャ,くるま rotation, wheel, cart, military vehicle, a well-oiled machine, greased axle; axel (rotation with human body), sequential screwing in orifice

　TURNING, SCREWING on both sides of a FILLED ORIFICE
…or: EXTENDED and ROTATING
…or: TWO in a MONKEY
…or: SCREWING a PLUGGING ORIFICE then SCREWING it again
…or: (three) sequential SCREWINGS in ORIFICE
…or: ARRAY of MONKEYS in LINE, with ROD, INDICATE EXTENT
　

干

カン,ほ,～ぼ,ひ thrusting downward, to fuck, become drained of fluids, ebb; defensive; main trunk or shaft

　INVERTED PENIS, ROD DOWN
…or: ARRAY of SCREWING
　

Meanings of elements

ROTATION, WHEEL, CART, MILITARY VEHICLE with THRUSTING DOWNWARD, BECOME DRAINED OF FLUIDS
…or: ROTATE AROUND with DRY, DRAINED OF FLUIDS, EBB, COUNTERMEASURES, MAIN TRUNK OR SHAFT, MAIN PART
…or: THE FUCK WAGON, SEQUENTIAL SCREWING IN ORIFICE, VEHICLE for DRAINING ONE'S FLUIDS

Oldest meaning of CURTAINED CARRIAGE from the elements「fuck wagon.」Means BEING HIGH, IN HIGH SPIRITS, and extended meanings to HIGH places or things evolved from「feeling high, being in the clouds, way high on life.」Elements are「rotation again and again, revolving in a plugged orifice with downward thrusting motions of penis」that depicts not just repeatedly schtupping (ejaculation into a birth canal or other attainable orifice) to the point of orgasm with the same person again and again that is not physically possible for the male (generally) due to the inability to overcome a flaccid penis as a result of prolactin release in the brain after climaxing—yet, easily accomplished by the female—but rather,「a rotation, revolving」to a new and different, novel sexual partner for each new orgasm, highly possible for the male with six or so new subjects in one session (the Chinese Dragon Emperor soon discovered with his harem of concubines), as the effects of prolactin that normally causes flaccidity are counteracted immediately by the release of additional dopamine at the sight of another different and sexually willing, aroused female, experiencing repeated doses of released dopamine rushes, known as the Coolidge Effect.
HIGH-SPIRITED is the main Chinese usage, but the high places by a rooftop (EAVES) leading to the meaning a COUNTER FOR HOUSES, is the main meaning that remains in Japanese, who are apparently a bit more staid than the Chinese, generally. Scholars say this glyph depicted the concept of a cover or canopy used to keep a cart dry similar to a covered wagon with the right element as the shape of the supporting frame, and conveys a defense against arrows, and the Sun, wind, and rain, and that this same concept applies to a roof, seen from underneath and outside as the eaves (…sure it does).

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: pavilion with a view; high; tall; high fronted, curtained carriage (old)
Japanese EDRDG: flats, counter for houses, eaves
Unihan extended: carriage; high; wide; balcony of the Yellow Emperor

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.