朕 we, our as a first person pronoun referring to an individual of royal birthright (not actually plural), my god and I, me heavenly meat 䏌,天,丷,月,⺼,关,

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MingLiU:

Mincho:

Gothic:

朕

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On-yomi [ Toggle rōmaji ]

チン
CHI　N

Glyph elements [ Toggle Font ]

䏌

× booty dancers, jiggling, vibrating, chorus line of singing girls dancing during the rites of spring, shaking one's money-maker, twerking for coin, fan-dancing, to survive by employing one's native talents and skills, good vibrations, meat offerings, mooned offerings, buzzing, spurting meat

　EMIT and BODY MEAT
…or: SPLIT and FLESH
…or: ENDLESS LINE of MEAT MOONING
　

天

テン,あまつ,あめ,あま～ heaven, divine, celestial, boundless, no limit, never-ending, heavenly, sky

　HORIZONTAL MOTION, ROD with BOTH HANDS, BIG
…or: TAUT DOWNWARD THRUSTING PENIS
…or: BIG ARRAY
…or: TWO MALE PERSONS
…or: ROD with HAND and TAUT
　

丷

× emit upward

　EMISSIONS, EMIT DROPS
　

月

ゲツ,ガツ,つき proceptivity; month; the Moon, lunar positions, lunar phases; mooning position, meat, meat phases

　ERECT in HIGH TENSION with TWO ORIFICES over-under inside SPREAD LEGS
…or: ERECTION DRIPPING in NO-LONGER-INTEGRATED FOOT, TENSE GASPS
…or: A REASON FOR TONGUING MOUTH within SPREAD LEGS
…or: ROD within ORIFICE within SPREAD LEGS
　

⺼

× HTML entity: ⺼ body meat or flesh; meat of disintegrated feet; chicks and bunnies

　ERECTION and CLEVER with DROPS
…or: STIFF with CONGEALING and WRAPPED NO-LONGER-INTEGRATED BONES
…or: QUICK MOVEMENTS with FLEDGLING WING
　

关

× passing between mountain shapes, passing a frontier, be concerned with, connection, involved, related with or to, no returning, no turning back, gateway to heaven, closed, flow shut or ended

　BIG ROD EMISSIONS
…or: EMISSIONS and HEAVENLY, DIVINE, CELESTIAL, BOUNDLESS, NO LIMIT, NEVER-ENDING, SKY HIGH
…or: EMISSIONS and CHANGE OF STATE with TAUT ERECT, PERSON
…or: SPURTING SHAFT STANCE PERCOLATING, GUSHING HOT FLUIDS FROM HOLLOW SHAFT with RECIPROCATING ROD within PERSON, TAUT ERECTION
…or: TWO-HANDED SPURTING STANCE
　

Meanings of elements

BOOTY DANCERS, JIGGLING, VIBRATING, CHORUS LINE OF SINGING GIRLS DANCING DURING THE RITES OF SPRING and HEAVENLY DIVA, BOUNDLESS, NO LIMIT, NEVER-ENDING
…or: EMISSIONS with PROCEPTIVITY MOONING POSITION, MEAT, FLESH, CHICKS AND BUNNIES and PASSING BETWEEN MOUNTAIN SHAPES, PASSING A FRONTIER, BE CONCERNED WITH, CONNECTION, INVOLVED, RELATED WITH OR TO, NO TURNING BACK, GATEWAY TO HEAVEN

[Glyph used by royalty only]「Meat」with「connection, involved, gateway to heaven」as the EMPEROR WITH HIS WIVES AND CONCUBINES or HIM AND HIS MEAT (as first-person pronouns) WE, OUR as in something akin to ME AND ME MEAT and what is shared among the harem. Suggesting a royal person with his or her meat as a separate entity, so by extension used as a plural form grammatically. Those clever sages using elements of「mooning position meat」with「emissions from downward thrusting bent penis to one side then the other」depicting royals as double-dipping baboons only interested in deflowering virgins as a divine experience, collected as harems from around the countryside, and using the plural grammatical form to associate a royal person with that person's royal schwantz.
　Scholars tell us that the ancient Chinese believed royalty rides a boat up to heaven (as did many other cultures) while regular working stiffs become simple pond scum after death. Maybe the 'meat barrier, concern' elements suggest that nobody tips the boat on the way up to heaven's gate, falls back to Earth, and splats face-first to become a greasy spot rather than a heavenly constellation.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: I; we (imperial use); subtle
Japanese: We, Our, first person pronoun used by royalty
Unihan extended: pronoun 'I'
EDRDG: majestic plural; imperial we

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.