娑 loose and gritty, frolic, dancing, saunter, lounging, corrupt and worldly 汝,氵,妙,少,小,ノ,沙,女,

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MingLiU:

Mincho:

Gothic:

娑

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On-yomi [ Toggle rōmaji ]

シャ　･　サ
SHA　･　SA

Glyph elements [ Toggle Font ]

汝

ジョ,なんじ,なれ,い,うぬ,いまし,しゃ,なむち,みまし thou, archaic form of 'you'; imbecile, substituted reality

　FLUIDS with FEMALE
　

氵

×,さんずい fluidity, fluid

　emphasis on MANY DRIPS, DRIPPING, COOLING PROCESS
…or: MANY TIMES DROPS
　

妙

ミョウ,ビョウ,たえ clever, enchanting, watching mesmerized, full of wonder, extraordinary, superb, a really good find, delicate, becoming charmed, charming, unusual

　FEMALE with SOMETHING THAT OUGHT TO BE STOPPED OR INFREQUENTLY PERFORMED, LITTLE BY LITTLE, HEAD SLIDING BELOW YOUNG SMALL MONS VENUS STREAM OF EMISSIONS
　

少

ショウ,すく,すこ something that ought to be stopped or infrequently performed, seldom, lacking, insufficient, young, short distance, short time, few, small amount, little by little

　SMALL YOUNG MONS, STREAM of EMISSIONS with SLIDING HEAD
…or: HEAD SLIDING below MONS with EMISSION STREAM above
　

小

ショウ,ちい,こ～,お～,さ～ relatively small condition; small stream of emissions; young, a minor; human mound; deeply felt

　STREAM of EMISSIONS
　

ノ

× HTML entity: ノ head, sliding down, declining, dammed flow

　HEAD SLIDING DOWN
　

沙

サ,シャ,すな,よなげる granulated, raspy, not a smooth surface, gritty, sand, sandy conditions

　FLUIDITY with SOMETHING THAT OUGHT TO BE STOPPED, LACKING, INSUFFICIENT, SHORT DISTANCE, SHORT TIME, FEW, SMALL AMOUNT, LITTLE BY LITTLE
　

女

ジョ,ニョ,ニョウ,おんな,め female

　ROD and LOOSENED with ERECTION
…or: HORIZONTAL with NO-LONGER-INTEGRATED LOOSE FOOT and NO-LONGER-INTEGRATED FOOT BENT FOR WRAPPING
…or: LOOSENED with GASPING TENSION
　

Meanings of elements

IMBECILE with SOMETHING THAT OUGHT TO BE STOPPED OR INFREQUENTLY PERFORMED
…or: FLUID with CLEVER, ENCHANTING, WATCHING MESMERIZED, FULL OF WONDER, EXTRAORDINARY, SUPERB, A REALLY GOOD FIND, DELICATE, BECOMING CHARMED, UNUSUAL
…or: SANDY CONDITIONS with FEMALE
…or: IMBECILE with FLUID in SHORT TIME with FEMALE
…or: GRITTY FEMALE
…or: FLUIDITY and HEAD SLIDING with FEMALE MONS PUBIS
…or: FEMALE, GIRL with YOUNG SMALL MONS VENUS STREAM OF EMISSIONS and SLIDING with FLUIDITY

Depicts a female imbecile inserting something into herself but under the mons area, and becoming a bit gritty in the process. Depicts jerking off while watching a peep show. Depicts a loose woman engaging in anal coitus, and so on and so forth (see 㚻 for details).「Fluid flow in short time with female」meaning that very soon the flowing will start due to her skill acquired from vast experience, or, after meeting it won't require much time to start the flows due to her FROLICKING, SAUNTERING, DANCING (on tables? with poles?), while LOUNGING with WORLDLY DESIRES. A「few flows with this female」applies best as a LOOSE WOMAN you may want to spend one afternoon with, but not one to spend your life with unless you don't mind sharing grit. LOOSE AND GRITTY likely also referred to her set of no-longer-integrated feet, since grit does not often accumulate in other places on a human unless considering a very short-term within a tight sphincter muscle ring.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: (phonetic); loose
Japanese EDRDG: old woman
Unihan extended: dance, frolic; lounge; saunter

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.