栢 white oak, daimyo oak, Japanese emperor oak 柏,一,木,百,

注意：このページには、一部の読者にとって不快または不適切な内容が含まれている可能性があります。
Note: This page may contain content that is offensive or inappropriate for some readers.

MingLiU:

Mincho:

Gothic:

栢

Login Welcome!　Introduction
Glyphs missing from your font set may appear strange, or not at all. We recommend enabling East Asian language support.

On-yomi [ Toggle rōmaji ]

ハク　･　ヒャク
HA　KU　･　HYA　KU

Kun-yomi

かしわ
ka　shi　wa

Glyph elements [ Toggle Font ]

柏

ハク,ヒャク,ビャク,かしわ white oak; daimyo oak, Japanese emperor oak; hard wood

　WOOD and WHITE, CONSPICUOUS emphasis on TONGUING MOUTH
　

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

木

ボク,モク,き,こ～ wood, woody stalk, stem, wooden, a woody, tree, implanted, simple, simpleton, coffin, encased death, unfeeling, numb

　TWISTING a TAUT HEAD
…or: SCREWING EMISSIONS
…or: HAND on TAUT ROD
　

百

ヒャク,ビャク,もも one hundred, many, numerous, all sorts and kinds, conspicuously white horizontal rod, a lot

　CONSPICUOUS ARRAY
…or: LATERAL RECIPROCATING ROD MOTION, INDICATES EXTENT with OPEN-MOUTHED, CONSPICUOUS, WHITE, BLANK, EMPTY, STARING IN A STUPOR, TO MAKE CLEAR, INSPECTION
　

Meanings of elements

HARDWOOD and SEGMENT, ARRAY, ROD, INDICATES EXTENT
…or: TREE, WOODY and MANY, HUNDREDS
…or: WOOD and ARRAY of CONSPICUOUS, WHITE
…or: WOOD ROD with OPEN TONGUING MOUTH
…or: WOOD with CONSPICUOUSLY WHITE HORIZONTAL ROD IN RECIPROCATING MOTIONS

「White wood」: OAK is one of the HARDEST HARDWOODS.「White woody」or「wood with tonguing mouth opened」or a truly「conspicuous woody」refers to the point in time during sexual arousal and climax when a woody is at its HARDEST HARDWOOD condition and most obvious. With erections not at all being an embarrassing topic or the least bit shameful in the past when religious influences in society glorified virility and hardwood was a point of honor and pride for both a man and his women and his men, this concept and glyph was applied unsurprisingly to the Japanese emperor oak. Concubines learned early that the most effective method of achieving both erections and joy was the liberal application of「tonguing mouths.」A daimyo is the Japanese word for 'feudal lord,' another guy who had harems full of concubines, in the old days…leading to the older variant (檗) which used elements of「anal penetration with screwing emissions woody.」

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: variant of 柏
Japanese EDRDG: oak
Unihan extended: cypress, cedar

Used within names (nanori)
かや

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.