狷 timid and cautious; rash, impetuous, impulsive 犭,月,⺼,口,一,冂,曰,肙,

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MingLiU:

Mincho:

Gothic:

狷

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On-yomi [ Toggle rōmaji ]

ケン
KE　N

Glyph elements [ Toggle Font ]

犭

× canid (male dog or female bitch), pig, animal, beast

　HEAD REPEATED in NO-LONGER-INTEGRATED FOOT
　

月

ゲツ,ガツ,つき proceptivity; month; the Moon, lunar positions, lunar phases; mooning position, meat, meat phases

　ERECT in HIGH TENSION with TWO ORIFICES over-under inside SPREAD LEGS
…or: ERECTION DRIPPING in NO-LONGER-INTEGRATED FOOT, TENSE GASPS
…or: A REASON FOR TONGUING MOUTH within SPREAD LEGS
…or: ROD within ORIFICE within SPREAD LEGS
　

⺼

× HTML entity: ⺼ body meat or flesh; meat of disintegrated feet; chicks and bunnies

　ERECTION and CLEVER with DROPS
…or: STIFF with CONGEALING and WRAPPED NO-LONGER-INTEGRATED BONES
…or: QUICK MOVEMENTS with FLEDGLING WING
　

口

コウ,ク,くち orifice, mouth, cavity or passage of the body; an opening, aperture, vent

　ORIFICE
　

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

冂

キョウ,ケイ,× spread legs; surrounding outer edge

　VERTICAL, RECIPROCATING MOTION, ONE'S ROD, STALK OR STEM and EXTREME TENSION, STRESS WITH PAIN AND GASPS, TAUT, TIGHT SPRING-LIKE ACTION, NO-LONGER-INTEGRATED AND BOUND FOOT OF CHINESE FEMALE
　

曰

エツ,いわ,のたま,ここに tonguing something, tongue in a mouth, speak, say; having a reason to do something, pretending, a pretext, excuse given to hide the true reason for something, rod within orifice or mouth

　ROD in ORIFICE, MOUTH
…or: ORIFICE, MOUTH and ARRAYED
…or: RAISED ROD in CAVITY CONTAINMENT
…or: DIVINE, DIVA with IN-OUT, END-TO-END
　

肙

× larvae; to twist or screw, to empty, to surround; spinneret, meatus

　MEAT with AN OPENING, APERTURE
…or: ORIFICE and MEAT, CHICKS AND BUNNIES
…or: ORIFICE with TONGUING MOUTH within SPREAD LEGS
…or: ORIFICE and HAVING A REASON TO DO SOMETHING, PRETENDING, A PRETEXT, EXCUSE GIVEN TO HIDE THE TRUE REASON FOR SOMETHING, ROD WITHIN ORIFICE OR MOUTH within SPREAD LEGS
…or: the MERCHANDISE, GOODS are WITHIN SPREAD LEGS
　

Meanings of elements

CANID (MALE DOG OR FEMALE BITCH), PIG, ANIMAL, BEAST with TWISTING SCREWING UNTIL EMPTY, SURROUND SPINNERET OF MEATUS
…or: BEASTLY MEAT ORIFICE
…or: DOG or BITCH with LARVAE, GRUBS
…or: MEAT ORIFICE with a BEAST
…or: MEAT ORIFICE of a BEAST

Contrary definitions from external sources: seems to be referring to a reputation for beast-like RASH ravishing of a meat orifice in one way or another causing TIMID AND CAUTIOUS potential partners…or an actual skin RASH. TIMID AND CAUTIOUS of undergoing an extremely painful medical procedure, SHORT-TEMPERED and SNAPPING when asked about not keeping the appointment at the clap clinic. Perhaps locating a ripe carcass full of maggots, and either becoming TIMID, CAUTIOUS about eating it, or RASH, IMPETUOUS by IMPULSIVELY diving in without testing the smell first, or simply not caring.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: timid; cautious
Unihan extended: rash, impetuous, impulsive
EDRDG: short-tempered

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.