剠 branding, branded 京,刂,

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MingLiU:

Mincho:

Gothic:

剠

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On-yomi [ Toggle rōmaji ]

ケイ　･　ショウ　･　リョウ
KE　I　･　SHO　U　･　RYO　U

Kun-yomi

いれずみ　･　かすめと(る
i　re　zu　mi　･　ka　su　me　to　ru

Glyph elements [ Toggle Font ]

京

キョウ,ケイ,キン,みやこ human mound, unnatural mound, humans piled upon other humans, something really big, 10,000,000,000,000,000; capital city, metropolis

　PALMING, CONTROL of ORIFICE of SMALL YOUTH, STREAMING EMISSIONS
　

刂

トウ,× blade, sword, sever, cut, ream a hole, a reamer, shear, mow, lines of motion, skinning a head and neck, slicing skin

　VERTICAL MOTION with STREAM
…or: STREAMING ROD in RECIPROCATING MOTIONS
…or: SHAFT with UNPLEASANT BARBS
　

Meanings of elements

CAPITAL CITY, METROPOLIS and SEVER, REAMER

After arriving in the big city as a bought and paid for sexual slave, the first step a proprietress performed on her new herd meat asset was to BRAND it with a distinctive mark indicating who was the owner:「palm down on streaming orifice with reaming」depicts literally BRANDING human beings as chattel, cattle, meat on the hoof, or other live stock of a specific herd of service providers.
「Severed in the big city」as someone in the countryside who was BRANDED, identified by everyone else for some past behavior, who went away to the big city far away to live and remain obscure and undetected.
Someone who went away to the big city far away to live, and now their behavior is obviously that of city folk that BRANDS them if and when a return trip to the hometown village is ever made.
Today, many city dwellers identify more with the metropolis in which they live more than all else…just ask anyone from Paris, New York, London, Tokyo, Rio de Janeiro, Los Angeles, Beijing, Cleveland, Ulaanbaatar, Benghazi, and so on.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Japanese EDRDG: brand
Unihan extended: brand

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.