䏮 flank, armpit down to hip pelvic bone, axillism, maschalagnia, maschalation, axillary intercourse, bagpiping, coitus axilla, huffle, huffling, penis-to-armpit intercourse, a pit job 肋,月,⺼,力,丷,ハ,

注意：このページには、一部の読者にとって不快または不適切な内容が含まれている可能性があります。
Note: This page may contain content that is offensive or inappropriate for some readers.

MingLiU:

Mincho:

Gothic:

䏮

Login Welcome!　Introduction
Glyphs missing from your font set may appear strange, or not at all. We recommend enabling East Asian language support.

Glyph elements [ Toggle Font ]

肋

ロク,あばら ribs, ribcage; body part for reaming with a lance, spear, arrow, sword

　MEAT POWER
…or: BODY PART and REAMING EFFORT
　

月

ゲツ,ガツ,つき proceptivity; month; the Moon, lunar positions, lunar phases; mooning position, meat, meat phases

　ERECT in HIGH TENSION with TWO ORIFICES over-under inside SPREAD LEGS
…or: ERECTION DRIPPING in NO-LONGER-INTEGRATED FOOT, TENSE GASPS
…or: A REASON FOR TONGUING MOUTH within SPREAD LEGS
…or: ROD within ORIFICE within SPREAD LEGS
　

⺼

× HTML entity: ⺼ body meat or flesh; meat of disintegrated feet; chicks and bunnies

　ERECTION and CLEVER with DROPS
…or: STIFF with CONGEALING and WRAPPED NO-LONGER-INTEGRATED BONES
…or: QUICK MOVEMENTS with FLEDGLING WING
　

力

リョク,リキ,リイ,ちから force, power, strength, effort

　QUICK MOVEMENT IN ANY DIRECTION and TENSE FOR A LONG TIME WITH GASPING
…or: ERECTION through NO-LONGER-INTEGRATED FOOT
　

丷

× emit upward

　EMISSIONS, EMIT DROPS
　

ハ

× HTML entity: ハ emit downward

　EMISSIONS, EMIT DROPS
…or: HEAD TAUT
　

Meanings of elements

RIBS, RIBCAGE, BODY PART FOR REAMING WITH A LANCE, SPEAR, ARROW with EMIT UPWARD SPURTING and EMIT DOWNWARD SPLASHING
…or: BODY MEAT FLESH, CHICKS AND BUNNIES with FORCE, POWER, STRENGTH, EFFORT and EMIT UPWARD and EMIT DOWNWARD

「Cooperative strength of meat, body」as the SIDE, FLANK, torso from the armpit to the hip, the area of the human body that probably can generate the most force of mass, such as when dis-integrating down a locked door. Nevertheless, a likely meaning refers to other people BEING NEARBY in order to「cooperate」and GIVE ASSISTANCE, SUPPORT to another person by FLANKING and holding up by the ARMPITS, TORSO, SIDES, facilitating continued vertical reciprocal motion due to the extreme fatigue of the subject person but having a willingness or desire to continue the same movements, perhaps indefinitely (see related glyph).
Furthermore, perhaps it need not be stated but in dynastic China the armpit was, and remains, an attractive location in which to HUFFLE, axillary intercourse, bagpiping, coitus axilla, penis-to-armpit intercourse, doing a pit job:「meat of erection tense and springy with uncontrollable spurting in all directions on ribcage」UNDER THE ARMPIT and below where jism ostensibly trickles downward. Note that axillary intercourse can be performed regardless of the sex of the person whose armpit is used for the endeavor, and someone of most any age.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Japanese EDRDG: the sides of the torso from armpits to ribs, the flank
Unihan extended: (abbreviated form of 脇=脅) the sides of the trunk from armpits to ribs; the flank

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.