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I
u tsu ru ・ u tsu su
Glyph elements [ Toggle Font ]
「Gonorrhea with many different meats」: INFECT is the concept of something that is growing in one place being plucked up and a small piece moved to continue growing and developing somewhere else, like sneeze droplets full of influenza virus within a crowded subway train during rush hour, or severe acute respiratory syndrome aboard a 14-hour transpacific flight in an airliner, and so on, which brings up the alternative interpretation of「seeds on tip of stalk」with two folks as「meat.」In this scenario, the INFECT meaning is obvious, as well as MOVEMENT, SHIFTING, TRANSITION, and even TRANSPLANTED from a「seed stalk」plugging into the wetlands of a plugged orifice/ rice paddy.「Many grain plants」simply does not fit all the given meanings of: to swap, to permeate something with the smell or color of something, to be contagious, to spread disease, and so on.
Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: to move; to shift; to change; to alter; to remove
Japanese: to change, to swap, to substitute, to transfer, to change the object of one's interest or focus, to spend or take time, to infect, to permeate something with the smell or colour of something, to move on to the next or different stage of, transition, return present, to change the target of interest or concern, to elapse, to be permeated by a colour or scent, to be infected, to be contagious, to spread, changing, vicissitudes, fading, waning, to fade, to wane, to decline, to shift, to come and go
Unihan extended: change place, shift; move about
EDRDG: shift; move; change; drift; catch (cold, fire); pass into
Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment
(see 籒 for that)
and represented Chinese society many thousands of years ago, and not as a written or spoken language.
If these glyphs had been intended for language use, the sages could not have possibly designed a worse system.
Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is!
Sex had no shame in ancient China. Why would it? And now, there is a cover-up.
No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else.
This site describes glyph meanings, not people.
These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect.
The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language?
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Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?
By the way, with a limited number of the same elements used by the sages again and again to form these glyphs,
you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary.
This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.
Primal elements
Japanese vocabulary: 167 entries
Chinese usage: 105 entries
Related glyphs [ Toggle font ]
Similar glyphs with related meanings: 36 entries
- Glyph.04491
- Strokes: 11
- jlpt-N3 grade_05
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This publication has included material from the MDBG free online English to Chinese dictionary files in accordance with the license provisions of the Creative Commons Attribution-ShareAlike 3.0 License.
This publication has included material from the JMdict (EDICT, etc.) dictionary files in accordance with the license provisions of the Electronic Dictionaries Research Group.
This publication has included material from the Unicode Character Database. Copyright © 1991-2016 Unicode, Inc. All rights reserved. Distributed under these Terms of Use.