掭 to manipulate, start a flame burning, wick pricker 扞,乀,天,㣺,扌,忝,

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掭

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On-yomi [ Toggle rōmaji ]

テン
TE　N

Glyph elements [ Toggle Font ]

扞

カン,ふせ ward off, withstand, resist

　USING BOTH OF ONE'S HANDS TO ACCOMPLISH A TASK and DEFENSIVE, THRUSTING DOWNWARD
…or: to FUCK USING BOTH OF ONE'S HANDS
　

乀

フツ,ブチ,ま stretched taut; leashed under control of another; the other side (of something)

　STRETCHED TAUT
　

天

テン,あまつ,あめ,あま～ heaven, divine, celestial, boundless, no limit, never-ending, heavenly, sky

　HORIZONTAL MOTION, ROD with BOTH HANDS, BIG
…or: TAUT DOWNWARD THRUSTING PENIS
…or: BIG ARRAY
…or: TWO MALE PERSONS
…or: ROD with HAND and TAUT
　

㣺

× morality, intentions, one's moral nature, one's affections, what is in someone's mind

　ROD STREAMING EMISSIONS with emphasis marker
…or: DEEP FEELING with emphasis marker
…or: YOUNG AND SMALL with emphasis marker
…or: SMALL MONS PUBIS, DIFFICULT TO FORGET and MARKED AS THE EMPHASIZED PART, THIS IS THE POINT, THIS SPOT RIGHT HERE
　

扌

シュ,× talented, using both of one's hands to accomplish a task

　TALENT
…or: USING BOTH HANDS
…or: ARRAY of STREAMS with SLIDING HEAD IN
　

忝

テン,かたじけな disgraced, to shame, be ashamed, shameful, self-deprecating; to be indebted to another, gratitude, gracious

　YOUNG, FRESH-LOOKING, TENDER with INTENTIONS CONCERNED WITH THE JUDGMENT OF RIGHT OR WRONG OF HUMAN ACTION AND CHARACTER
…or: RECIPROCATING ROD MOTION, INDICATES EXTENT of REPEATED HEAD BOBBING with FAMILY RELATIONSHIPS, DOMINATION and with emphasis
…or: HEAVENLY DIVINE, CELESTIAL, BOUNDLESS, NO LIMIT, NEVER-ENDING with MORAL INTENT, ONE'S MORAL NATURE
…or: YOUNG FRESH-LOOKING TENDER MONS PUBIS and MARKED AS THE EMPHASIZED PART, THIS IS THE POINT, THIS SPOT RIGHT HERE
　

Meanings of elements

WITHSTAND, RESIST with STRETCHED TAUT and STRAIGHT, UNBENT, MORALITY, INTENT, MORAL NATURE
…or: TALENTED, USING BOTH OF ONE'S HANDS TO ACCOMPLISH A TASK and HEAVENLY DIVINE, BOUNDLESS NO LIMIT, NEVER-ENDING with MORAL INTENT, MORAL NATURE, YOUNG SMALL MONS PUBIS with emphasis
…or: USING ONE'S HANDS with SELF-DEPRECATING, NOT GRACEFUL, FEELING INFERIOR, INDEBTED TO ANOTHER, GRATITUDE, SHAME

A WICK PRICKER is a cog-like wheel with protruding prongs, or pricks stabbing into a cloth wick, that when rotated will raise or lower the wick of an oil-burning lamp in order to light or extinguish the flame (slightly outdated technology, but still used conveniently when the power grid shuts down). A wick pricker is MANIPULATED by hand also to adjust the height of the lamp's flame. Elemental meaning may relate to「talented hand use to accomplish a task with youthful emissions」as self-manipulations of one's own burning, flaming wick pricker, with adjustments as necessary reading the elements as「hand use and self-deprecating.」And as「hand use with gratitude for conception」describes getting the flame lit and raised by MANIPULATING the wick pricker prior to coitus in order to permit entry into the vaginal vestibule, and so on.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Unihan extended: to manipulate; a pricker for a lamp-wick
EDRDG: to manipulate; pricker for a lamp wick

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.