捧 to clasp a hand over and cover, to hold up with both hands cupped, to flatter, to praise 扌,丰,乀,𡗗,丨,二,奉,

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MingLiU:

Mincho:

Gothic:

捧

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On-yomi [ Toggle rōmaji ]

ホウ
HO　U

Kun-yomi

ささ(げる
sa　sa　ge　ru

Glyph elements [ Toggle Font ]

扌

シュ,× talented, using both of one's hands to accomplish a task

　TALENT
…or: USING BOTH HANDS
…or: ARRAY of STREAMS with SLIDING HEAD IN
　

丰

ホウ,フ,フウ,みめよ,しげ well-developed, full-bodied, hard-bodied, virile, high libido, attractive, prick, abundant, plentiful, fertile, plump, thick and luxuriant, buxom, full-bosomed, appearance, charm

　MANY TIMES with ROD, RECIPROCATING MOTION
…or: REPEATEDLY in TWO-STATES with VERTICAL MOTION; REPEATED with TALENTED HANDS
…or: SCREWING within TWICE
…or: SCREWING within TWO
　

乀

フツ,ブチ,ま stretched taut; leashed under control of another; the other side (of something)

　STRETCHED TAUT
　

𡗗

× HTML entity: 𡗗 offering something; control of sexual opportunities as leashed or unleashed

　PRICK, TALLYWACKER and STRETCHED TAUT, LEASHED
　

丨

コン,シ,ジョ,ニョ,すす,しりぞ vertical, reciprocating motion vertically, rod stalk or stem while vertical

　TOP TO BOTTOM, BOTTOM TO TOP, UP-DOWN
　

二

ニ,ジ,ふた,ふたたび two; a change of physical state

　ONE (twice)
　

奉

ホウ,ブ,たてまつ,ほう doing voluntarily, offer tribute, accept orders from a superior, obedience, present to a superior, to believe in, dedication, reverence, hold with great respect, sacred offering

　PRICK TAUT and TWICE, CHANGING STATE with VERTICAL RECIPROCATING ROD MOTIONS…or: TWO HANDS in OFFERING SOMETHING
　

Meanings of elements

TALENTED with WELL-DEVELOPED, FULL-BODIED, HARD VIRILE HIGH LIBIDO ATTRACTIVE PRICK, FERTILE, PLUMP, THICK AND LUXURIANT, BUXOM and STRETCHED TAUT UNDER THE CONTROL OF ANOTHER with VERTICAL RECIPROCATING ROD MOTION and with TWICE, CHANGE OF PHYSICAL STATE, USING BOTH OF ONE'S HANDS TO ACCOMPLISH A TASK
…or: PERSON with TO BELIEVE IN, DEDICATION, ACCEPT ORDERS FROM A SUPERIOR, OBEDIENCE, PRESENT TO A SUPERIOR, OFFER TRIBUTE, REVERENCE, HOLD WITH GREAT RESPECT, OFFERING

In China, the traditional manner of saluting and greeting was/is to make a fist with one hand, cup the other palm over the fist, and hold both against one's chest, the 'fist and palm salute' whilst the boss is standing at stiff attention and the devotee is kneeling before him: palming a fist near one's mouth and between the breasts apparently symbolized the tasks of a slave, and you can imagine what part of the master might have been within those two hands (…or, simply look at the elements in this glyph)
　　[　https://www.topchinatravel.com/china-guide/chinese-etiquette-fist-and-palm-salute.htm 2016-01-18　]　
　Perhaps the source of the English term TWO-FISTED to mean 'so strong and vigorous' that two fists were needed to control the action, obvious FLATTERY and false PRAISE, to BUTTER UP a superior.「Using two talented hands to accomplish a task on taut prick of vertical rod multiple times」doing whatever it takes to display reverence and obedience to one's boss, whether sincere or just to get ahead with overtly exaggerated behavior of DEDICATION, SACRIFICE, OBEISANCE, CONSECRATING THE HEAVENLY STEM of the lord boss-man and lapping it up, twice. CUPPING something such as two testicles in both hands raised to eye level while kneeling…seems obvious enough.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: to clasp; to cup the hands; to hold up with both hands; to offer (esp. in cupped hands); to praise; to flatter
Japanese: to lift up, to give, to offer, to consecrate, to devote, to sacrifice, to dedicate
Unihan extended: hold up in two hands
EDRDG: lift up; give; offer; consecrate; sacrifice; dedicate

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.