梠 sloping beam supporting an eave, roof rafter protruding from an external wall; quince, pricks 木,呂,

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Mincho:

Gothic:

梠

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On-yomi [ Toggle rōmaji ]

ロ　･　リョ
RO　･　RYO

Kun-yomi

ひさし
hi　sa　shi

Glyph elements [ Toggle Font ]

木

ボク,モク,き,こ～ wood, woody stalk, stem, wooden, a woody, tree, implanted, simple, simpleton, coffin, encased death, unfeeling, numb

　TWISTING a TAUT HEAD
…or: SCREWING EMISSIONS
…or: HAND on TAUT ROD
　

呂

ロ,リョ,せぼね various holes or orifices that are connected, humming, low musical sounds, sounding a low tone; backbone, spine, backside (as a body part)

　ENCLOSURES, ORIFICES CONNECTED
　

Meanings of elements

WOODEN BACKBONE, SPINE
…or: WOODY with CONNECTED ORIFICES, BACKSIDE AS A BODY PART

「Woody spine」: a BEAM AT THE EAVES describes a woody shaft used under a V-shaped roof, the apex within ^. Moreover a「woody with the two connected orifices, with the backbone」would suggest a male (the one with a woody) above and behind a female, as an OVERHANG, similar in concept to roof EAVES.
　Or: QUINCE are plants with many stiff pricks starting out, but the shape of the ripened fruit can easily be compared to the glans and emissions of a tired and weary, fagged tuckered-out drained exhausted bushed beat pooped penis (many puns there, sorry) that resulted from the first foray into a cave o' wonders…note that a spine is highly bendable and not always straight up stiff by any stretch. The male flowers of the aspen tree, the catkins, sag and cannot become stiff, drooping downward continuously with a red and yellow coloring, resembling the results seen on a「woody seduced」by various dynastic Chinese service providers when all tuckered out.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: beam at the eaves
Unihan extended: a small beam supporting the rafters at the eaves
EDRDG: a kind of quince

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.