袵 neck of a garment, gusset, triangular or tapering piece of cloth added for support or to fill space, cloth apron, gore, gored, goring; neck of a penile shaft covered with foreskin 衽,亻,壬,衤,任,

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MingLiU:

Mincho:

Gothic:

袵

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On-yomi [ Toggle rōmaji ]

ジン　･　ニン
JI　N　･　NI　N

Kun-yomi

こくび　･　おくみ　･　しとね
ko　ku　bi　･　o　ku　mi　･　shi　to　ne

Glyph elements [ Toggle Font ]

衽

ジン,ニン,こくび,おくみ,しとね overlapping part of Chinese gown, lapel of a coat, triangular or tapering piece of cloth added for support or to fill space; cloth apron, gore, gored, goring, gusset

　CLOTHING, CLOTH and BOUGIE REAMING TOOL, BURDEN, PREGNANT, FAT NOBLE PERSON
　

亻

× person (male generally), rod head, head on rod

　THE HEAD OF AN ANIMAL OR PERSON and VERTICAL, RECIPROCATING MOTION, ONE'S ROD, STALK OR STEM
　

壬

ニン,ジン,イ,みずのえ spindle, bougie, reaming tool, to tolerate, cause of bearing great pain, a burden; pregnant; fat noble person

　REPEATED with PENIS
…or: HORIZONTAL RECIPROCATING MOTION with PENIS
…or: ARRAY of PENIS
…or: HEAD SLIDING PENIS
　

衤

×,ころも cloth, cloths, clothes, clothing

　emphasis on the DISPLAY
…or: emphasis on NO-LONGER-INTEGRATED FOOT with VERTICAL PERSON WHO SITS MOST OF THE TIME
…or: NO-LONGER-INTEGRATED FOOT DRIPPING VERTICALLY with emphasis
…or: NO-LONGER-INTEGRATED FOOT with emphasis on FLACCID ROD
　

任

ニン,まか bear a burden, to have responsibility, a duty, entrusting someone else to do a job or task, medical service provider wielding a bougie

　REPEATED HEAD BOBBING UP AND DOWN, HEAD SLIDING with ROD HEAD WITH PENIS, A SERVICE PROVIDER, TO PROVIDE SERVICE, ONE'S JOB, TO DO (POLITE FORM)
…or: THE BEST OF ONE THOUSAND MEN, THE PART ABOVE THE NECK [OF SOMETHING] with RECIPROCATING LATERAL ROD MOTION, ROD STALK
…or: ROD HEAD with SPINDLE, BOUGIE, REAMING TOOL, TO TOLERATE, CAUSE OF BEARING GREAT PAIN, A BURDEN
…or: PERSON with A NOBLE, A ROYAL
…or: PERSON with PREGNANCY
　

Meanings of elements

PERSON inside OVERLAPPING PART
…or: CLOTH and BEAR A BURDEN, RESPONSIBILITY, DUTY, ENTRUSTING SOMEONE ELSE TO DO A JOB OR TASK
…or: SLIDING ROD HEAD with OVERLAPPING PART
…or: emphasis on ALTAR FOR MEAT SACRIFICES with a MEDICAL SERVICE PROVIDER WIELDING A BOUGIE
…or: CLOTHING of a MEDICAL SERVICE PROVIDER WIELDING A BOUGIE

Part of clothing that is overlapped by other cloth (such as a double-breasted suit in the West, or a bathrobe). Some part that is covered by something else, two layers covering one body. A gore is a triangular or tapering piece of cloth sewn into a garment or sailcloth for added strength or to fill a space, useful for「fat people.」A cloth used to cover and overlap clothing as protection from discharges released by GORING with a bougie, to GORE, wearing an APRON to catch some of the splashes and spurts during treatments.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Japanese EDRDG: neck of a garment, gusset, gore
Unihan extended: lapel; hidden lapel of coat

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.