殺 hurt, kill, slaughter, murder; cut down, slice off, to split, weaken or reduce メ,乂,丶,木,机,又,朮,殳,

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MingLiU:

Mincho:

Gothic:

殺

Login Welcome!　Introduction
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Glyph elements [ Toggle Font ]

メ

× HTML entity: メ soft spot; become closed; weave, woven; fontanelle

　the HEAD with marker in center
　

乂

ガイ,カイ,ゲ,おさ,か subdue, get control of, to govern; whacking motion, give a whipping; crossed

　ONE SIDE THEN THE OTHER
…or: SLIDING DOWN and STRETCHED TAUT
…or: HEAD LEASHED
　

丶

チュ,× emphasized part of a glyph

　[emphasis is HERE in a glyph]
　

木

ボク,モク,き,こ～ wood, woody stalk, stem, wooden, a woody, tree, implanted, simple, simpleton, coffin, encased death, unfeeling, numb

　TWISTING a TAUT HEAD
…or: SCREWING EMISSIONS
…or: HAND on TAUT ROD
　

机

キ,つくえ pivot, opportunity, intention, quick-witted, engine, get your motor runnin', desk, a hand-rest, the organ

　WOODY STALK, STEM, IMPLANTED, SIMPLETON, ENCASED DEATH with SKIN SHEATH, PREPUCE, SKIN THAT STRETCHES SIGNIFICANTLY, HOW MUCH? HOW MANY TIMES? A PLACE FOR YOUR HAND TO REST
　

又

ユウ,また,また～ once again, this or that, yield, both, any method at all, crotch

　GASPING and TAUT
…or: LAME FOOT with the OTHER SIDE, TOO
　

朮

ジュツ,シュツ,チュツ,もちあわ,おけら sticky, gooey; technique; mandrake (mayapple); magical science; adhere

　marker above SCREWING COPULATION or ERECTION TWISTED AND BENT
　

殳

シュ,また,ほこ stretched skin of crotch, the tools of one's trade, weapon readied, spear-like shape, stiff wooden rod

　STIFF SKIN of CROTCH
…or: SKIN SHEATH with CROTCH, YIELD AGAIN AND AGAIN
　

Meanings of elements

WEAVING MOTIONS with emphasis on WOODY and STRETCHED SKIN of CROTCH
…or: SOFT SPOT, BECOME CLOSED, WEAVE and STALK, STEM or STICKY, GOOEY, TECHNIQUE, ADHERE and STRETCHED SKIN YIELDING, TOOL OR WEAPON, SPEAR-LIKE SHAPE, STIFF ROD OR POLE

「Soft spot on head, weaving in and out, whacking」with「technique for sticky and gooey」(see 朮 that is used in traditional Chinese instead of 'wood' used in Japanese fonts) with「weapon, tool, stiff skin of crotch」meaning to SLICE OFF some sort of a head and HURT, CUT DOWN or PARE, REDUCE. Some suggest the left elements are「whacking woody」as descriptive of the consequences and blood from a beheading, to SLAUGHTER and KILL by decapitating and/or emasculating the dead (摋). Chinese sources describe 11 strokes (including a marker with ) while Japanese fonts display 10 strokes and「wood」rather than techniques for handling sticky and gooey situations…but those changes do indicate the location of the head involved, in many cases.
　Most likely, the original Chinese elements described the intense 'killing' pain and screaming associated with a bougie weaving in and out of stretched crotch skin as a technique for treating a sticky gooey woody that was screwing in copulation where it oughtn't have been (these elements individually).
　Elements could also be describing the process of opening a skull in order to access the brains, and legends have long been passed along from antiquity of human men with their brain centered in the glans rather than the skull. One way or another, the glyph refers to TECHNIQUES FOR OPENING A HEAD TO EXTRACT THE GOOEY CONTENTS.
　Some browsers will not display this glyph using certain fonts…the actual glyph may possibly be seen within other glyphs as an element.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Unihan extended: kill, slaughter, murder; hurt
EDRDG: kill; slaughter; murder; hurt

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.