喬 boasting, tall and proud pose, braggart ー,大,夭,吅,冂,吞,天,口,呑,冋,

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MingLiU:

Mincho:

Gothic:

喬

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On-yomi [ Toggle rōmaji ]

キョウ
KYO　U

Kun-yomi

たか(い
ta　ka　i

Glyph elements [ Toggle Font ]

ー

× HTML entity: ー repeated, bobbing

　REPEATED BOBBING
　

大

ダイ,タイ,おお～,～おお relatively big condition; two-handed both hands

　ROD TAUT and ERECT
…or: HAND TAUT
…or: HAND with marker for other hand, too
…or: ROD of MALE ADULT
　

夭

⺕ウ,オウ,カ,わか,わかじに,わざわい young, fresh-looking, tender; to die while young, prematurely cease functioning

　REPEATEDLY BOWED HEAD or HEAD SLIDING with TWO HANDS, BIG
　

吅

× juxtaposed orifices, rowdy behavior; female-female relations

　multiple ORIFICES, MOUTHS
　

冂

キョウ,ケイ,× spread legs; surrounding outer edge

　VERTICAL, RECIPROCATING MOTION, ONE'S ROD, STALK OR STEM and EXTREME TENSION, STRESS WITH PAIN AND GASPS, TAUT, TIGHT SPRING-LIKE ACTION, NO-LONGER-INTEGRATED AND BOUND FOOT OF CHINESE FEMALE
　

吞

ドン,トン,テン,のむ engulf, ingest internally, absorb, drink, swallow, to take in

　THRUSTING DOWNWARD, TO FUCK, BECOME DRAINED OF FLUIDS, MAIN TRUNK OR SHAFT and STRETCHED TAUT with MOUTH ORIFICE
…or: DEFENSIVE with MAIN SHAFT and UNDER THE CONTROL OF ANOTHER, THE OTHER SIDE with MOUTH ORIFICE
…or: PREMATURE DEATH with MOUTH, ORIFICE
…or: YOUNG AND FRESH with MOUTH ORIFICE
…or: DIVINE, CELESTIAL, BOUNDLESS, NO LIMIT, NEVER-ENDING, HEAVENLY SKY with ORIFICE, MOUTH, CAVITY OR PASSAGE OF THE BODY
　

天

テン,あまつ,あめ,あま～ heaven, divine, celestial, boundless, no limit, never-ending, heavenly, sky

　HORIZONTAL MOTION, ROD with BOTH HANDS, BIG
…or: TAUT DOWNWARD THRUSTING PENIS
…or: BIG ARRAY
…or: TWO MALE PERSONS
…or: ROD with HAND and TAUT
　

口

コウ,ク,くち orifice, mouth, cavity or passage of the body; an opening, aperture, vent

　ORIFICE
　

呑

トン,ドン,の engulf, ingest internally, absorb, drink, swallow, overwhelm, suppress, taking a gamble, accepting risk

　YOUTHFUL ORIFICE
…or: DIE YOUNG and MOUTH, ORIFICE
…or: ORIFICE that PREMATURELY CEASES TO FUNCTION
　

冋

キョウ,ケイ,まきがまえ,えながまえ,どうがまえ,けいがまえ vagina, cloaca, area difficult to access, remote, doorway to one's neighbor

　ORIFICE within SPREAD LEGS
　

Meanings of elements

ROD REPEATEDLY IN TAUT ERECTION with YOUNG, FRESH-LOOKING JUXTAPOSED ORIFICES, ROWDY BEHAVIOR, FEMALE-FEMALE RELATIONS and an ORIFICE in SPREAD LEGS
…or: REPEATED HEAD SLIDING of TAUT ERECT ROD with ORIFICE above the VAGINA
…or: INGEST INTERNALLY, ABSORB, DRINK, SWALLOW, TO TAKE IN, ENGULFED with VAGINA
…or: TAKING A GAMBLE, ACCEPTING RISK with AREA DIFFICULT TO ACCESS, REMOTE, DOORWAY TO ONE'S NEIGHBOR
…or: TO BE SMOKING with a VAGINA

Most element combinations need no explanation. Someone「drinking large amounts」of alcohol and「accompanied by a vagina」can become somewhat belligerent, with a TALL AND PROUD, BOASTFUL POSE. Lower element「orifice between spread hind legs」normally depicts the vagina of a human or non-human animal. Again as in English, BEING WASTED, ON THE EDGE is a euphemism for being drunk and disorderly, not being straight, bragging, proud and boastful, bordering on being arrested, on the edge of allowed behavior, and so on.
　「Drinking from a young person's vagina」as lapping up what is commonly understood as an 'underrated experience' (舓).「Young person's orifice that is above the vagina」when the subject is/was in the lordosis position.
　Alternatively, other than aristocrats themselves, royal concubines might have been the next-most BOASTING, TALL PROUD POSE folks in dynastic China, and「repeatedly bobbing head held in both hands on orifice with another vagina, female-female relations in spread legs」would describe an alpha concubine standing tall over and above an underling who was kneeling while performing obligatory lapping in the places depicted by these elements, showing her who was the boss.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: tall
Unihan extended: tall, lofty; proud, stately
EDRDG: high; boasting

Used within names (nanori)
たかし　･　たか

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.