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  • Glyph.05588
  • Strokes: 12
  • jlpt-N5 grade_02


MingLiU:
Mincho:
Gothic:
間
間

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On-yomi   [ Toggle rōmaji ]
カン ・ ケン
KA N ・ KE N
Kun-yomi
あいだ ・ ま ・ あい
a i da ・ ma ・ a i

Glyph elements  [ Toggle Font ]

Meanings of elements
QUERY, PROBLEM, ACCUSE, ASK and ARRAY OF ITEMS, INDICATES EXTENT, ROD in orifice
…or: ORIFICE in gateway on rod BOLTED, LATCHED, CROSSBAR
…or: TEACHINGS OF A MASTER and BRIGHT FLASHING, BRILLIANT
…or: GATEWAY and TONGUING MOUTH, SPEAKING, HAVING A REASON TO DO SOMETHING, PRETENDING, A PRETEXT, EXCUSE GIVEN TO HIDE THE TRUE REASON FOR SOMETHING
…or: ROWDY TWO ORIFICES JUXTAPOSED within GATEWAY
Be sure to see replacement glyphs of 閒 and 閑. Not likely「gateway to the Sun」unless perhaps if considering the Sun as some divine goddess of a sort, flashing, blazing, shining brightly, and if so, then「day, portion of a day」「within that gateway」to the special zone of a town, the quarter where the service providers ply their trades, an INTERVAL of measured time or in a specific space…'interval' in English literally means「inside, entered」into the「vale」and vale is the gorgeous space (that is, a small gorge) between what is「raised on both sides」not unlike various places available as short-term rentals located on the person of a service provider. An INTERVAL OF TIME that passes, the timing of client access to services, data necessary for billing data per individual client, or as time and motion data for benchmarking and management by the shaman of the service-providing employees.
Formerly in Chinese suggesting a NEED FOR SEPARATION and being DISCONTENTED because of interference, positioned TOO CLOSELY TOGETHER and DEPRIVED OF COMFORT, a NEED FOR THINNING OUT the clients a bit, with the inner element either as「two orifices in contact, juxtaposed female-to-female」and therefore being too close together, or,「speaking」that may be disturbing the neighboring room occupants. Referring to the missing GAP, INTERVAL or LATERAL SPACING. Concept of SUFFICIENT SPACING, ROOMINESS in which to move freely applies directly, since colliding with an adjacent set of bodies might limit activities, and no one appreciates being struck by an errant limb.
Glyph 閒 is used as a replacement, not because it means「gateway to the Moon」but because it means「gateway to meat, leisure, mooning」and the mooning position reveals「two orifices properly spaced」and separated by the perineum wall, or some interval of time. 閑 as「woodies in the gateway」also needing sufficient SPACING of time and distance.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: gap; to separate; to thin out (seedlings); to sow discontent; between; among; within a definite time or space; room; section of a room or lateral space between two pairs of pillars; classifier for rooms
Japanese EDRDG: interval, space
Unihan extended: interval, space; place, between

Used within names (nanori)
ちか ・ は ・ はざ ・ はし

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.



Japanese vocabulary: 1079 entries


Chinese usage: 207 entries


Related glyphs [ Toggle font ]


  • Glyph.05588
  • Strokes: 12
  • jlpt-N5 grade_02

   


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