菫 violets, to stifle, to smother by density 艹,一,吅,中,龶,

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Mincho:

Gothic:

菫

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On-yomi [ Toggle rōmaji ]

キン
KI　N

Kun-yomi

すみれ
su　mi　re

Glyph elements [ Toggle Font ]

艹

カン,あげまき,あらがね,くさかんむり emerging shafts, stalks, stems, shoots

　PLANTS, VEGETATION, FLOWERS, EMERGING SHAFTS, BUDDY SYSTEM
…or: ERECTION and ROD within CAVITIES
…or: EMERGE with STALKS, STEMS
…or: TWENTY, MULTIPLE SCREWINGS, PENETRATING SHAFTS, ARRAY OF RODS
…or: HAIR-RAISING PREPUBESCENT YOUNG VIRGIN DIVA
…or: DIVINE, CRESTING HEAD CONDITIONS WHEN ONE'S ROD IS RAISED
…or: DEEP SHAFT
…or: multiple FILLED COMPLETELY PERFECTLY FULL SCREWINGS, ROTATIONS, TWISTINGS, TURNINGS, NEEDLES, TENS
　

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

吅

× juxtaposed orifices, rowdy behavior; female-female relations

　multiple ORIFICES, MOUTHS
　

中

チュウ,なか,うち,あた to hit the 'bull's eye' while doing (something), middle, center, within, on the inside, among; two-sided, throughout; vulva, Mother China

　ROD in ORIFICE
…or: ORIFICE TOP TO BOTTOM
…or: ROD in JUXTAPOSED ORIFICES, ROWDY BEHAVIOR
…or: SCREWING in CAVITY
…or: SCREWING in SPREAD LEGS
　

龶

× HTML entity: 龶 prick, stab; tapered; painful condition [as an element], thorn; scorpion telson with setae bristles

　MANY TIMES with VERTICAL, RECIPROCAL MOTION
…or: PENIS within CLOSED ORIFICE OF FLESH SEAM, CRAFTY
…or: ROD UP with TURGID-FLACCID CHANGING STATE
…or: ARRAY of PENIS
…or: ARRAYED with FECES
…or: ARRAY of FLESH SEAMS
　

Meanings of elements

EMERGING SHAFTS, STALKS, STEMS with ARRAY OF JUXTAPOSED ORIFICES, ROWDY BEHAVIOR, FEMALE-FEMALE RELATIONS or with VULVA, MOTHER CHINA and PRICK

Depicting the lower classes of people not knowing their roots or lineage (the peasants), and VIOLETS for their characteristically powerful, nearly unstoppable method of propagating. VIOLETS, STIFLING, SMOTHERING WHAT IS BESIDE.「Plant, flower」but in traditional fonts, two「twisting」elements connected at the bottom that refers to the root system of violets. The manner in which violets propagate is by extensions of the root systems underground into adjacent soil and in this manner, violets STIFLE and SMOTHER the life out of whatever was growing nearby, densely crowding all other root systems, killing neighboring plants and taking over that soil for expansion. Violets are considered weeds in many places in the Northern Hemisphere that are most difficult to eradicate. Because of the tangled and matted root system, it is nearly impossible to know which stalk is connected to which root, a reference to ancient human lineage in China, used as a reference possibly due to its burgeoning population that crowds out neighbors. Chinese also settle densely in other societies, creating so-called「Chinatowns」that de facto permit no other culture, and violets do not permit any other plants to propagate among them. This pictograph also included the「middle, vulva」element at its core, the glyph that represents Mother China, among other euphemisms.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: variant of 堇; violet
Japanese: violet
Unihan extended: celery, aconite
EDRDG: the violet

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.