葬 to bury, interment, funeral; to place on a shelf, consign to oblivion 茻,井,艹,死,廾,

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Gothic:

葬

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On-yomi [ Toggle rōmaji ]

ソウ
SO　U

Kun-yomi

ほうむ(る
ho　u　mu　ru

Glyph elements [ Toggle Font ]

茻

× community

　MANY EMERGING SHAFTS or LARGE BUDDY SYSTEM
…or: MANY RODS, ERECTIONS in CAVITIES, SHEATHS
　

井

セイ,ショウ,い community, water well; lattice shape; all around

　many, many EMERGING SHAFTS
…or: many, many FLESH SEAMS
…or: ARRAY of ERECTION with SCREWING
　

艹

カン,あげまき,あらがね,くさかんむり emerging shafts, stalks, stems, shoots

　PLANTS, VEGETATION, FLOWERS, EMERGING SHAFTS, BUDDY SYSTEM
…or: ERECTION and ROD within CAVITIES
…or: EMERGE with STALKS, STEMS
…or: TWENTY, MULTIPLE SCREWINGS, PENETRATING SHAFTS, ARRAY OF RODS
…or: HAIR-RAISING PREPUBESCENT YOUNG VIRGIN DIVA
…or: DIVINE, CRESTING HEAD CONDITIONS WHEN ONE'S ROD IS RAISED
…or: DEEP SHAFT
…or: multiple FILLED COMPLETELY PERFECTLY FULL SCREWINGS, ROTATIONS, TWISTINGS, TURNINGS, NEEDLES, TENS
　

死

シ,し death, damned, deathtrap, rigor mortis, rigid corpse, blocked passageway, unable to overcome

　DEPRAVED EVIL and SERVICE PROVIDER
…or: ROD with HEAD SLIDING within NO-LONGER-INTEGRATED FOOT WRAPPER of SERVICE PROVIDER
…or: FLESH HANGING FROM BONES of FALLEN PERSON
…or: ROD with EVENING ACTIVITIES and SERVICE PROVIDER
…or: ROD DAMMED and SLIDING HEAD on PENILE APPENDAGE
　

廾

キョウ,ク,にじゅう two-handed, working with both hands at once; two hands together; a pair of hands; offering something

　ERECTION with SCREWING OR TWISTING, FULL
　

Meanings of elements

DEATH, CORPSE, CARCASS within THE COMMUNITY
…or: EMERGING SHAFTS over DEAD BODY, DEAD MEAT with PAIR OF HANDS
…or: EMERGING SHAFTS over ROD WITH SERVICE PROVIDERS AT NIGHT, CURSED MEAT, DAMNED DEATHTRAP with HAND in RECIPROCATING MOTION
…or: MANY GLANS surrounding DEAD MEAT
…or: ORGY PILE with EVENING ACTIVITIES of SERVICE PROVIDERS and ERECTION SCREWING

Some scholars suggest glyph elements are four「grass, plant 茻」elements surrounding「dead meat, death」and refer to covering a dead body with grass, possibly as a temporary measure to conceal the corpse from an enemy so that it would not be hacked to pieces by them, or defiled by the「emerging shafts」of necromaniacs in the enemy ranks, or eaten by starving serfs, and so on, but now meaning to BURY. Most corpses are cremated, hence PUTTING UP ON A SHELF may refer to an urn full of ashes, or to cease using an item for some reason.「Many emerging shafts」(茻) with「dead meat」among them is an unmistakable reference to sexually transmitted disease, or may refer to burying many glans deeply into a soil pathway or passage of a corpse, or simply a「death within the community.」

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: to bury (the dead); to inter
Japanese: burial, to bury, to inter, to entomb, to consign to oblivion, to shelve
Unihan extended: bury, inter
EDRDG: interment; bury; shelve

Used within names (nanori)
はふり

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.