揚 praise, high spirits; raise up, hoist, lift, to float; deep fry in oil 掦,一,担,勿,扌,昜,

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MingLiU:

Mincho:

Gothic:

揚

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On-yomi [ Toggle rōmaji ]

⺕ウ
YO　U

Kun-yomi

あ(げる　･　～あ(げ　･　あ(がる
a　ge　ru　･　～a　ge　･　a　ga　ru

Glyph elements [ Toggle Font ]

掦

テキ,チャク,かか to take up with the hands, to place hands beside an objective, to push to one side

　SECURE BY RESTRAINT TO BUTTON FASTEN, BE PREPARING FOR, BE WAITING FOR TRUMPING A PUSSY with TALENTED USING BOTH OF ONE'S HANDS TO ACCOMPLISH A TASK and with TONGUING SOMETHING, TONGUE IN A MOUTH, HAVING A REASON TO DO SOMETHING and ARRAY OF KISSING LABIA with GUSHING AND BUBBLY, NOT YET
…or: USING BOTH OF ONE'S HANDS and to KISS SOMETHING, LIPS AND MOUTH COINCIDING LABIA, BODILY ORGAN USED FOR SUCKING and with RECIPROCATING MOTION in ORIFICE
…or: TALENTED USING BOTH OF ONE'S HANDS TO ACCOMPLISH A TASK and EASY, SIMPLE, A DIVINE EXPERIENCE, EASILY CHANGE, AMIABLE, NO PROBLEM, WITHOUT TROUBLE, FRIENDLY, AMICABLE EXCHANGE
…or: USING BOTH OF ONE'S HANDS with TONGUING MOUTH when GUSHING CHUNKS
　

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

担

タン,かつ,にな two buckets of full loads, take responsibility for, assume a responsibility from another, to take over a task from someone else, to shoulder a responsibility, to carry a load upon one's shoulder, to deceive

　BE PREPARING FOR, BE WAITING FOR, KNOCK AND SMASH, SECURE BY RESTRAINT, TO BUTTON, FASTEN, CONFISCATE with TWO TONGUING MOUTHS, ROD in ORIFICE LATERAL RECIPROCATING MOTION and CHANGE OF PHYSICAL STATE
…or: TALENTED, USING BOTH OF ONE'S HANDS TO ACCOMPLISH A TASK and with ON THE VERGE, ON THE EDGE, FEUDAL LORD BRAGGART, CHUTZPAH GALL, HUSBAND, BROTHEL CLIENT, FEMALE ROLE, DAWNING, AN AWAKENING
…or: TALENTED HAND USE while FELLATING LORD
　

勿

モチ,ブツ,ボツ,なか,なし gushing out and bubbly, often with chunks of suspended material; animal litters, animal births; spontaneous abortion, miscarriage; do not; not yet

　HEAD IN TENSION, SKIN SLIT with HEADS SLIDING DOWN (doubled)
　

扌

シュ,× talented, using both of one's hands to accomplish a task

　TALENT
…or: USING BOTH HANDS
…or: ARRAY of STREAMS with SLIDING HEAD IN
　

昜

⺕ウ,× not closed-mouthed; opened; gushing, bubbling; able to open; expanded; bright; a deep-down glorious feeling

　TWICE, CHANGING STATE inside SUCKING LIPS AND MOUTH
…or: ROD within EASILY CHANGE
…or: FELLATRIX but NOT YET READY
…or: FEMALE ROLE, DAWNING, AN AWAKENING with GUSHING STUFF
　

Meanings of elements

ROD(S), AN ARRAY OF ITEMS and within TAKE UP WITH HANDS, PLACE HANDS BESIDE AN OBJECTIVE, PUSH TO ONE SIDE
…or: TWO BUCKETS OF FULL LOADS, TAKE RESPONSIBILITY FOR, ASSUME RESPONSIBILITY with GUSHING OUT BUBBLY OFTEN WITH CHUNKS OF SUSPENDED MATERIAL, DO NOT, NOT YET
…or: TALENTED USING ONE'S HANDS TO ACCOMPLISH A TASK with GUSHING, BUBBLING, NOT CLOSE-MOUTHED (HOT)

「Rods」in this case may refer to long chopsticks used in Asia for cooking and lifting items from bubbling hot oil.「To place beside in an array」suggests allowing fried foods to cool a bit and drain some of the oil, as does「assume responsibility for gushing chunks.」
　Using「both hands, not closed and gushing bubbles with chunks」as to RAISE UP something within one's hands, and then be in HIGH SPIRITS. Food that is DEEP FRIED also「opens up with gushing bubbles and small bits of fried batter」and expands, causing it to FLOAT in oil (and it rises naturally) as it cooks, and is then very hot after removal from the boiling oil, causing「open hands」and perhaps some waving of burned fingers.
　「Talented hands while gushing chunks」refers to using rendered lamb fat, lard, or other lubrication in the performance of a hand job, as does「assume responsibility for gushing chunks」: fried foods are heated meat coated with oil,「high and proud spirits, to earn praise, to earn one's fee, indicates completion, to show someone else how to do something.」…and so on.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: to raise; to hoist; the action of tossing or winnowing; scattering (in the wind); to flutter; to propagate
Japanese: fried bean curd, triumphant, exultant, in high and proud spirits, to rise, to go up, to come up, to ascend, to be raised, to enter, to come in, to go in, to advance to the next grade, to get out, to come ashore, to increase, to improve, to make progress, to be promoted, to be made, to occur, to be adequate, to be finished, to be done, to be over, to stop, to lift, to cut out, to give out, to die, to win, to be deep fried, to be spoken loudly, to get stage fright, to be offered, to visit, to eat, to drink, to be listed, to serve, to go north, indicates completion, to raise, to elevate, to do up, to fly, to launch, to surface, to land, to deep-fry, to show someone, to summon, to send someone, to enroll, to develop, to earn, to praise, to cite, to summon up, to offer up to the gods, to bear, to conduct, to vomit, to do for, to complete …, to humbly do …, deep-fried food
Unihan extended: scatter, spread; praise
EDRDG: hoist; fry in deep fat

Used within names (nanori)
あがり

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.