喋 nag, chatter, babble, twitter, tweets, sound of flood waters, chatting, gossiping 呭,木,口,枼,

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MingLiU:

Mincho:

Gothic:

喋

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On-yomi [ Toggle rōmaji ]

チョウ　･　トウ
CHO　U　･　TO　U

Kun-yomi

しゃべ(る　･　ついば(む
sha　be　ru　･　tsu　i　ba　mu

Glyph elements [ Toggle Font ]

呭

エイ,セツ,セチ,しゃべ,たの expressing consent; talkative

　ORIFICE, MOUTH, CAVITY OR PASSAGE OF THE BODY and THE WORLD (OF SOMETHING), HUMAN SOCIETY, AN AGE, GENERATION OF THIRTY YEARS, FROM GENERATION TO GENERATION
　

木

ボク,モク,き,こ～ wood, woody stalk, stem, wooden, a woody, tree, implanted, simple, simpleton, coffin, encased death, unfeeling, numb

　TWISTING a TAUT HEAD
…or: SCREWING EMISSIONS
…or: HAND on TAUT ROD
　

口

コウ,ク,くち orifice, mouth, cavity or passage of the body; an opening, aperture, vent

　ORIFICE
　

枼

⺕ウ,うすいきふだ,まど leaves, many needles and pricks, species regeneration; table leaf (surface extension); a page in binding, any sort of wood that has been flattened

　MANY, MANY with TREE
…or: GENERATION of WOODY SCREWING EMISSIONS
…or: MANY NEEDLE PRICKS and TREE
　

Meanings of elements

EXPRESSING CONSENT, TALKATIVE with WOODY STALK, A WOODY
…or: ORIFICE, MOUTH, CAVITY OR PASSAGE OF THE BODY with MANY NEEDLES AND PRICKS, SPECIES REGENERATION, WOODY EXTENSION, WOOD FLATTENED
…or: ORIFICE, MOUTH with WORLD OF HUMAN SOCIETY, THIRTY OR SO GENERATIONS of SCREWING EMISSIONS

「Mouth and leaves」realizing that leaves flutter and move with the slightest breeze nearly continuously, and a mouth moving in that manner would be NAGGING, CHATTERING, BABBLING, with the sound caused by many leaves in a breeze similar to the SOUND OF RUSHING FLOOD WATERS.
「Mouths of one's generations from woody」as the BABBLE and TWITTER of a cave full of progeny, relatives, descendants.
Perhaps the inane, insincere flattering meaningless BABBLE and TWITTER, CHATTER of a service provider to a long succession of「thirty or more prick-to-orifice」clients in a day and the SOUND OF RUSHING FLOOD WATERS in a full cave at the shaman's house of whore horror, forced to say something again and again, such as during an interval depicted by these elements「orifice with hung bastard woody screwing with emissions」moaning, murmuring, or talking while in intimate happiness within spread legs: YES!, YES! or OH MY GOD! OH MY GOD! or FUCK! OH FUCK ME! and so on, likely a service provider attempting to fool a client by duplicitous repetitive flatteries into believing that he is terrific so that he will come again and pay more fees, YOU'RE THE BEST I EVER HAD! and that sort of meaningless balderdash. Perhaps the source of the English term CLAPTRAP.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: old flowing flood; to chatter
Japanese EDRDG: talk, chat, chatter
Unihan extended: nag; chatter, babble, twitter

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.