軫 intense feeling, strong emotion, revolving, square, standing behind the rear 十,畛,㽗,彡,車,㐱,

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MingLiU:

Mincho:

Gothic:

軫

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On-yomi [ Toggle rōmaji ]

シン
SHI　N

Kun-yomi

よこぎ
yo　ko　gi

Glyph elements [ Toggle Font ]

十

ジュウ,ジッ,ジュッ,とお filled completely, perfectly full; screwing, rotating, twisting, turning; crossed shape; closing a hole or other opening, plugged, blocked; needle; ten

　VERTICALLY and HORIZONTALLY
…or: TOP TO BOTTOM and SIDE TO SIDE
　

畛

シン,あぜ boundary line, border, soil path in muck paddies, raised soil pathway no trespassing area, do not enter, do not cross line, ring of pubic hairs surrounding the anus

　WETLANDS WORKER, SERVICE PROVIDER, SERF with SHORT HAIRS, PELT FUR, PAY ATTENTION TO, GREAT CARE NEEDED, DELICATE ZONE, HAIR ORNAMENTATION
…or: PUBLIC USE, CLAMOUR, PROTOPLASM SLIME, SLIMY DARK RED PIGMENT, PLUGGED AND FILLED ORIFICE OR CAVITY, WET AREA FOR IMPLANTING, WETLANDS, MUCK POOL SLURRY PIT with BLACK GLOSSY BUSH HAIR
　

㽗

× wetlands worker, service provider, serf

　PLUGGED ORIFICE, WET AREA FOR IMPLANTING, WET ORIFICE and PERSON
　

彡

サン,セン,× short hairs, a pelt, fur, pay attention to, great care needed, delicate zone, hair ornamentation; many strokes

　MANY STROKES, REPEATED STROKES
　

車

シャ,くるま rotation, wheel, cart, military vehicle, a well-oiled machine, greased axle; axel (rotation with human body), sequential screwing in orifice

　TURNING, SCREWING on both sides of a FILLED ORIFICE
…or: EXTENDED and ROTATING
…or: TWO in a MONKEY
…or: SCREWING a PLUGGING ORIFICE then SCREWING it again
…or: (three) sequential SCREWINGS in ORIFICE
…or: ARRAY of MONKEYS in LINE, with ROD, INDICATE EXTENT
　

㐱

× black glossy bush hair

　PERSON with SHORT PELT HAIRS, FUR
…or: PERSON and MANY STROKES
　

Meanings of elements

SCREWING with THE PUBIC REGION, RAISED SOIL PATHWAY and SCREWING AGAIN
…or: SCREWING TO THE BOUNDARY LIMIT then SCREWING AGAIN
…or: VEHICLE, SEQUENTIAL SCREWING IN ORIFICE, ROTATION of PERSONS with BLACK GLOSSY BUSH HAIR

A REVOLVING SQUARE at first may seem to be an oxymoron, but further thought resolves the paradox: a rotation of clients or troops in a service provider's pubic region (in this case…or one of the troops) with full unrestricted access granted by placing heels near head, perhaps in some sort of leather bondage harness (horse reins) popular in dynastic China, and forming a SQUARE, RHOMBUS shape with the two legs bent at the knees. Revolving access by a gathering of troops with someone in the center on the receiving side, within the「range of short pubic hairs」and not no-longer-integrated feet, will cause INTENSE FEELINGS, likely as a sort of tag team effort (the team of horses pulling that chariot) as one client-troop becomes fatigued and the inner person is then rotated to the next stallion, affording no respite for the wet and glossy bush hair orifice being actuated in the center, riding with backside positioned on a 'lazy susan' (the chariot) for easy rotation. The CROSS BOARD AT THE REAR OF A CARRIAGE was intended to absorb shocks while mounted, with everyone eventually STANDING BEHIND THE REAR of the chariot and galloping in rotation.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: square; strongly (as of emotion)
Japanese: Chinese "Chariot" constellation
Unihan extended: cross board at rear of carriage
EDRDG: sad; revolve

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.