筆 writing brush, stroking, glyph strokes, doing something for the first time; monetary sums, let's make a deal, loss of male virginity, dealing with sums of money 竺,肀,竹,聿,

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MingLiU:

Mincho:

Gothic:

筆

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On-yomi [ Toggle rōmaji ]

ヒツ
HI　TSU

Kun-yomi

ふで
fu　de

Glyph elements [ Toggle Font ]

竺

ジク,チク,トク,× rebirth, regeneration, reincarnation, becoming meat again; India, Nepal, Bhutan; Jainism, Hinduism and Buddhism

　BAMBOO, BOWING OVER LORDOSIS and CHANGE OF PHYSICAL STATE
　

肀

× hand firmly grasping a long thin and likely pointed object with twisting motions, screwing by hand, inscribe, following the rule of law

　SCREWING in HAND
…or: FILLED COMPLETELY, SCREWING, TWISTING, PLUGGED, NEEDLE and TWO ENDS OF SOMETHING MAKE CONTACT, IN-AND-OUT SIDE-TO-SIDE END-TO-END
…or: FIRMLY GRASPING, REAMING WITH A BOUGIE, SCRAPING, THE RULE OF LAW and RECIPROCATING MOTION OF ONE'S ROD STALK OR STEM
…or: ROD within DISEASED PENIS, SWINE'S SNOUT, PIG'S HEAD, DOG SNOUT (as euphemisms)
　

竹

チク,たけ bamboo, bowing over, kowtowing, lordosis, flexible

　HEAD DOWN with PROSTRATE STREAM
…or: HEAD of ROD DOWN and HEAD OF MALE BLASTING DISCHARGE
　

聿

イチ,イツ,ふで,ここに …then…and then…; what follows afterward, thereupon, introduces the resulting effect of some cause; the consequences; same event occurring twice or more in succession, again and again, finally

　HOLDING SOMETHING ERECT AND THEN… SAME EVENT OCCURRING IN SUCCESSION, AGAIN AND AGAIN with SCREWING MOTIONS, TEN
…or: WELL-DEVELOPED FULL HARD-BODIED, VIRILE HIGH LIBIDO ATTRACTIVE PRICK, FERTILE, PLUMP, THICK inside IN-AND-OUT SIDE-TO-SIDE END-TO-END
…or: HAND FIRMLY GRASPING LONG OBJECT WITH TWISTING MOTIONS SCREWING BY HAND, INSCRIBE, FOLLOWING THE RULE OF LAW with CHANGE OF PHYSICAL STATE, ONCE AND ONCE AGAIN
　

Meanings of elements

REBIRTH, REINCARNATED REGENERATED MEAT and FIRMLY GRASPING ROD with RECIPROCATING VERTICAL MOTION
…or: BAMBOO, FLEXIBLE, IN LORDOSIS POSITION with SCRAPING INSCRIBING, ROD IN HAND AGAIN AND AGAIN AND AGAIN

Opposite the action of a healthy rod, an infected rod emits gleet fluid while soft, not unlike a CALLIGRAPHY BRUSH. The hair tip of a calligraphy brush traditionally used to write Chinese glyphs stiffens to a dried encrusted hard tip when not in use, and softens again flexibly when dipped in black fluid comprised of clay, bamboo soot ash, and fluid:「bamboo with changing physical state.」Writing brush handles were often (and still are) made of stiff「bamboo and held erect in hand」「performing the same motions again and again and again.」In the old days, folks knelt on the floor to write, bending over in the lordosis position somewhat with a scroll open before them. These same descriptions equally applied to a bougie with a bamboo handle and cloths used to catch some of the discharge laid out in front of a patient as a medical service provider was at work (繍), which incidentally also was having proof of a MAN LOSING HIS VIRGINITY in some manner or another, or how else did he contract the infection?:「rebirth of meat with firm grasp of rod.」

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: pen; pencil; writing brush; to write or compose; the strokes of Chinese characters; classifier for sums of money, deals
Japanese EDRDG: writing brush, writing, painting brush, handwriting
Unihan extended: writing brush; write; stroke

Used within names (nanori)
くし

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.