棕 coarse strong cloth or twine; hemp-palm, palm tree, Trachycarpus, brown stuff 宀,柰,朾,㝉,ハ,木,宗,

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MingLiU:

Mincho:

Gothic:

棕

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On-yomi [ Toggle rōmaji ]

シュ　･　ソウ
SHU　･　SO　U

Glyph elements [ Toggle Font ]

宀

ベン,メン,× surround from above, deliberately out-of-reach, at home, roofed area

　SURROUND, COVERED ALL SIDES from above (marker)
　

柰

ナ,ナイ,ダイ,いかん,からなし endure, to bear; endurance; sour apples; small tart red fruit, crabapple; no cure, no help possible

　WHAT CAN BE DONE? HOW CAN ONE HELP? with ROD
…or: WOODY with DISPLAY
…or: WOOD on SACRIFICIAL MEAT ALTAR
　

朾

トウ,ジョウ,テイ,チョウ,つ to bump into, to poke, prod, to strike with the end of a woody shaft

　TREE, WOODY and MALE ADULT, ROBUST, VIGOROUS, FLAMING
…or: WOOD, SCREWING EMISSIONS with ROD IN RECIPROCAL MOTION and STREAMING
　

㝉

× calm and peaceful; rather…, prefer… (used as a term of comparison), cause to stand, being within a vestibule

　DELIBERATELY OUT-OF-REACH, AT HOME and ONE
…or: DELIBERATELY OUT-OF-REACH, AT HOME with LATERAL RECIPROCATING ROD MOTIONS
　

ハ

× HTML entity: ハ emit downward

　EMISSIONS, EMIT DROPS
…or: HEAD TAUT
　

木

ボク,モク,き,こ～ wood, woody stalk, stem, wooden, a woody, tree, implanted, simple, simpleton, coffin, encased death, unfeeling, numb

　TWISTING a TAUT HEAD
…or: SCREWING EMISSIONS
…or: HAND on TAUT ROD
　

宗

シュウ,ソウ,むね schooling, learning the purpose of things, human origins, clans and tribes, originally, first religion, ancestors, the model for, important or main point, head person

　DELIBERATELY OUT-OF-REACH and DISPLAYING AIMLESS DAWDLING with EMISSIONS
…or: CALM AND PEACE with ONE YOUNG AND SMALL, DOWNWARD EMISSIONS
…or: HOUSE OF PROSTITUTION with EMISSIONS
…or: PREFERENCE for MALE EMISSIONS
…or: SURROUND FROM ABOVE on ROD, PREFERENCE for HUMAN MOUND OF YOUTH, MONS PUBIS
…or: HOUSE of RELIGIOUS WORSHIP
…or: emphasis on SURROUNDED with ROD of MALE BLASTING EMISSIONS
　

Meanings of elements

ENDURE, NO HELP POSSIBLE and DELIBERATELY OUT-OF-REACH
…or: STALK, STEM, WOODY with the MAIN POINT, THE MODEL

Seemingly the HEMP-PALM:「…cultivated in China and Japan for thousands of years, for its coarse but very strong leaf sheath fibre, used for making rope, sacks, and other coarse cloth where great strength is important.」
　　[　https://en.wikipedia.org/wiki/Trachycarpus_fortunei 2013-08-23　]　
　Great strength was required in China for making foot-binding cloths, with these elements being「woody」for「our beliefs, shaman's religion.」…an「array of deliberate preferences for bumping into with emissions downward.」The hemp-palm is a species of tree and is not at all related to hemp. This name is the result of producing items from the fibers of this palm that are also produced from the fibers of the hemp plant.
　The well-protected trunk shaft of the hemp-palm is「surrounded and deliberately out-of-reach」by the coarse fibers, making climbing all but impossible,「endure it, no help possible」and「the model for a tree」to survive, with long sharp spear-like protrusions and a「preference for bumping with emissions」any would-be climber attempting to snatch its fruit.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: palm; palm fiber; coir (coconut fiber); brown
Unihan extended: hemp palm; palm tree
EDRDG: hemp palm

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.